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Title | Author(s) | Issue Date | Views | |
---|---|---|---|---|
Haunted by Hollywood: Hong Kong Noir, Horror, and RUNNING ON KARMA Journal:Journal of Letters | 2014 | 114 | ||
Clara Law’s Red Earth: The Hong Kong International Film Festival and the Cultural Politics of the Sponsored Short Book:Chinese Film Festivals: Sites of Translation | 2017 | 100 | ||
Running on Karma: Hong Kong Noir and the Political Unconscious Book:Hong Kong Neo-Noir | 2017 | 84 | ||
In search of a feminist method: HeForShe and the critical humanities in Hong Kong Proceeding/Conference:Conference on Critical Transactions: Engaging the Humanities East & West | 2015 | 43 | ||
Les Maoïstes, les Chinoises, and Jean-Pierre Léaud: China, France, and the sexual politics of the Cultural Revolution Proceeding/Conference:'The Cultural Revolution Today: Literature, Film, and Cultural Debates' Conference | 2016 | 34 | ||
Does the Karate Kid Have a Kung Fu Dream? Hong Kong Martial Arts between Hollywood and Beijing Journal:JOMEC Journal: Journalism, Media and Cultural Studies | 2014 | 265 | ||
2006 | 105 | |||
Hong Kong Cinema through a Global Lens MOOC Proceeding/Conference:International Mobile Learning Festival 2015: Pre-conference Workshops | 2015 | 97 | ||
Girl Power as Soft Power: Hong Kong Women Filmmakers and the Chinese Dream in the People’s Republic of China Proceeding/Conference:Exploring the China Dream: Trajectories and Articulations of Soft Power in the Sinophone World Conference, Stockholm University, Sweden | 2016 | 301 | ||
Occupying East Asian Screens Proceeding/Conference:Masterclass on East Asian Cinema | 2015 | 66 | ||
Transcultural Encounters, Transnational Feminisms: Women Media Activists and the Umbrella Moment in Hong Kong Presentation:Transcultural Encounters, Transnational Feminisms: Women Media Activists and the Umbrella Moment in Hong Kong - Talk | 2015 | 29 | ||
2007 | 144 | |||
The Hong Kong New Wave Book:A Companion to Chinese Cinema | 2012 | 32 | ||
Dragons in diaspora: Bruce Lee, Jet Li, and Europe in ruins Proceeding/Conference:Crossroads in Cultural Studies Conference, Crossroads 2010 | 2010 | 145 | ||
'Lust, Caution, Fashion' Proceeding/Conference:Symposium on 'Extra/Ordinary Dress Code: Costuming and the Second Skin in Asia' | 2009 | 147 | ||
Teaching film in Asia: moving from the international to the transnational classroom Proceeding/Conference:International Symposium on Internationalization, Teaching, Learning and the Liberal Arts | 2009 | 76 | ||
Asian cinema: the World and a region on screen Proceeding/Conference:International Convention of Asian Scholars, ICAS-8 | 2013 | 116 | ||
In/Visible Histories (China): Documentary Film, Historical Memory, Interdisciplinary Inquiry, and Community Service” (with Karsten Kruger) Book:Bridging the Sino-American Divide: American Studies with Chinese Characteristics | 1991 | 88 | ||
Between Comrade and Queer: Stanley Kwan’s HOLD YOU TIGHT (translated into Chinese) Book:In Critical Proximity: The Visual Memories of Stanley Kwan | 2007 | 106 | ||
In the City and on the Road in Asian American Film: MY AMERICA…OR, HONK IF YOU LOVE BUDDHA Book:All Roads Lead to the American City | 2007 | 133 | ||
INFERNAL AFFAIRS: Global Markets and Local Politics in Hong Kong Cinema Proceeding/Conference:Film and Philosophy Conference | 2005 | 131 | ||
INFERNAL AFFAIRS: Global Markets and Local Politics in Hong Kong Cinema Proceeding/Conference:Annual Conference of Asian Cinema Studies Society | 2005 | 156 | ||
COME DRINK WITH ME—If You Dare: Golden Swallow, King Hu, and the Cold War Proceeding/Conference:'The Film Scene: Cinema, The Arts, and Social Change' Symposium | 2006 | 103 | ||
Whither (or Wither) Chinese Women’s Films? BAO’BER IN LOVE and THE JADE GODDESS OF MERCY Proceeding/Conference:Conference on 'Whither Film Theory: Boundaries, Frontiers, and Predicament in the Changing Context of Globalization' | 2004 | 122 | ||
Departing from THE DEPARTED (2006): The INFERNAL AFFAIRS Trilogy (2002-3) and Ten Years of Film in (and out of) the HKSAR” Proceeding/Conference:International Conference on 'Hong Kong Culture: Word and Image' | 2007 | 143 |