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- Publisher Website: 10.1093/oxfordhb/9780190636234.013.24
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Book Chapter: Listening to the Musicking Body: A Cross-Disciplinary and Historical Perspective
Title | Listening to the Musicking Body: A Cross-Disciplinary and Historical Perspective |
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Authors | |
Keywords | Listening Afterimage Aftersound Continuity Motion |
Issue Date | 2019 |
Publisher | Oxford University Press. |
Citation | Listening to the Musicking Body: A Cross-Disciplinary and Historical Perspective. In Kim, Y and Gilman, SL (Eds.), The Oxford Handbook of Music and the Body, p. 418-435. New York, NY: Oxford University Press, 2019 How to Cite? |
Abstract | Listening is generally discussed in connection with auditory perception, with the ear as the primary perceptual organ. Recently, however, more comprehensive approaches are being emphasized along with the need to understand listening in the context of cultural and historical changes. This chapter investigates the plasticity of the idea of listening, both across disciplines and across historical contexts. By engaging with various discourses on seeing, hearing, and kinesthetics in the late nineteenth and early twentieth centuries, the present chapter examines how a holistic conceptualization of listening that goes beyond the ear and functions in the context of the whole human body emerged and argues how understanding the past can shed light on the current understanding of music and the body. |
Persistent Identifier | http://hdl.handle.net/10722/248238 |
ISBN |
DC Field | Value | Language |
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dc.contributor.author | Kim, Y | - |
dc.date.accessioned | 2017-10-18T08:40:05Z | - |
dc.date.available | 2017-10-18T08:40:05Z | - |
dc.date.issued | 2019 | - |
dc.identifier.citation | Listening to the Musicking Body: A Cross-Disciplinary and Historical Perspective. In Kim, Y and Gilman, SL (Eds.), The Oxford Handbook of Music and the Body, p. 418-435. New York, NY: Oxford University Press, 2019 | - |
dc.identifier.isbn | 9780190636234 | - |
dc.identifier.uri | http://hdl.handle.net/10722/248238 | - |
dc.description.abstract | Listening is generally discussed in connection with auditory perception, with the ear as the primary perceptual organ. Recently, however, more comprehensive approaches are being emphasized along with the need to understand listening in the context of cultural and historical changes. This chapter investigates the plasticity of the idea of listening, both across disciplines and across historical contexts. By engaging with various discourses on seeing, hearing, and kinesthetics in the late nineteenth and early twentieth centuries, the present chapter examines how a holistic conceptualization of listening that goes beyond the ear and functions in the context of the whole human body emerged and argues how understanding the past can shed light on the current understanding of music and the body. | - |
dc.language | eng | - |
dc.publisher | Oxford University Press. | - |
dc.relation.ispartof | The Oxford Handbook of Music and the Body | - |
dc.subject | Listening | - |
dc.subject | Afterimage | - |
dc.subject | Aftersound | - |
dc.subject | Continuity | - |
dc.subject | Motion | - |
dc.title | Listening to the Musicking Body: A Cross-Disciplinary and Historical Perspective | - |
dc.type | Book_Chapter | - |
dc.identifier.email | Kim, Y: younkim@hku.hk | - |
dc.identifier.authority | Kim, Y=rp01216 | - |
dc.identifier.doi | 10.1093/oxfordhb/9780190636234.013.24 | - |
dc.identifier.hkuros | 282570 | - |
dc.identifier.hkuros | 328395 | - |
dc.identifier.spage | 418 | - |
dc.identifier.epage | 435 | - |
dc.publisher.place | New York, NY | - |