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Article: New China's Architectural Movements and Liang Sicheng's Thought Reform: 1952-1954
Title | New China's Architectural Movements and Liang Sicheng's Thought Reform: 1952-1954 新中國建筑運動與梁思成的思想改造:1952—1954: 閱讀梁思成之四 |
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Authors | |
Keywords | Liang Sicheng Revolution Reform Classicism Beaux-Arts |
Issue Date | 2012 |
Publisher | 同濟大學出版社. The Journal's web site is located at http://www.cnki.com.cn/Journal/C-C5-SDJZ.htm |
Citation | 時代建築, 2012, v. 128, p. 130-137 How to Cite? Time + Architecture, 2012, v. 128, p. 130-137 How to Cite? |
Abstract | 文章探討了在1952—1954年間,在'一邊倒'國策的影響下,梁思成將蘇聯的'社會主義現實主義'原則與自己對中國'民族形式'的倡導相結合的嘗試。文章試圖論證:深具矛盾的是,梁為中國社會主義新政權尋找合適的建筑表達的努力,實際上也是在向他已經于20世紀三四十年代摒棄的布扎折衷主義的回歸。
This essay examines the years 1952- 1954,during which Liang Sicheng,under the national policy of One-sided Alliance with USSR ,attempted to combine the Soviet Union s Socialist-Realist principle with his own ideal of China s National Form .The essay argues that Liang s struggle to devise a style suitable for China s new socialist regime,was paradoxically a return to the Beaux-Arts eclecticism that he himself had abandoned during the 1930s—1940s. |
Persistent Identifier | http://hdl.handle.net/10722/191237 |
ISSN |
DC Field | Value | Language |
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dc.contributor.author | Zhu, T | en_US |
dc.date.accessioned | 2013-10-15T06:49:48Z | - |
dc.date.available | 2013-10-15T06:49:48Z | - |
dc.date.issued | 2012 | en_US |
dc.identifier.citation | 時代建築, 2012, v. 128, p. 130-137 | en_US |
dc.identifier.citation | Time + Architecture, 2012, v. 128, p. 130-137 | - |
dc.identifier.issn | 1005-684X | - |
dc.identifier.uri | http://hdl.handle.net/10722/191237 | - |
dc.description.abstract | 文章探討了在1952—1954年間,在'一邊倒'國策的影響下,梁思成將蘇聯的'社會主義現實主義'原則與自己對中國'民族形式'的倡導相結合的嘗試。文章試圖論證:深具矛盾的是,梁為中國社會主義新政權尋找合適的建筑表達的努力,實際上也是在向他已經于20世紀三四十年代摒棄的布扎折衷主義的回歸。 This essay examines the years 1952- 1954,during which Liang Sicheng,under the national policy of One-sided Alliance with USSR ,attempted to combine the Soviet Union s Socialist-Realist principle with his own ideal of China s National Form .The essay argues that Liang s struggle to devise a style suitable for China s new socialist regime,was paradoxically a return to the Beaux-Arts eclecticism that he himself had abandoned during the 1930s—1940s. | - |
dc.language | chi | en_US |
dc.publisher | 同濟大學出版社. The Journal's web site is located at http://www.cnki.com.cn/Journal/C-C5-SDJZ.htm | en_US |
dc.relation.ispartof | 時代建築 | en_US |
dc.relation.ispartof | Time + Architecture | - |
dc.subject | Liang Sicheng | - |
dc.subject | Revolution | - |
dc.subject | Reform | - |
dc.subject | Classicism | - |
dc.subject | Beaux-Arts | - |
dc.title | New China's Architectural Movements and Liang Sicheng's Thought Reform: 1952-1954 | en_US |
dc.title | 新中國建筑運動與梁思成的思想改造:1952—1954: 閱讀梁思成之四 | - |
dc.type | Article | en_US |
dc.identifier.email | Zhu, T: taozhu@hku.hk | en_US |
dc.identifier.authority | Zhu, T=rp01038 | en_US |
dc.identifier.hkuros | 226576 | en_US |
dc.identifier.volume | 128 | en_US |
dc.identifier.spage | 130 | en_US |
dc.identifier.epage | 137 | en_US |
dc.publisher.place | China | en_US |
dc.identifier.issnl | 1005-684X | - |