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Book Chapter: Constructing Ruins: New Urban Aesthetics in Chinese Art and Cinema
Title | Constructing Ruins: New Urban Aesthetics in Chinese Art and Cinema |
---|---|
Authors | |
Issue Date | 2012 |
Publisher | Enzo Arts and Publishing Limited |
Citation | Constructing Ruins: New Urban Aesthetics in Chinese Art and Cinema. In Munro, M (Ed.), Modern Art Asia: Papers on Modern and Contemporary Asian Art, p. 190-213. Cambridge, UK: Enzo Arts and Publishing Limited, 2012 How to Cite? |
Abstract | Kiu-Wai Chu discusses the social, philosophical and aesthetic significance of modern ruins, and conceptualizes ruin aesthetics with examples taken from a selection of contemporary Chinese photographic art works and films. By contrasting modern, uncanny ruin aesthetics with classical Chinese landscape aesthetics, this paper focuses on examining changing aesthetics in modern Chinese art and cinema, and suggests a shift in the way Chinese people perceive the world, and the relationship between human beings and the environment; from focusing on the pursuit of man-nature unity to exposing disunity, disorder and disintegration in the modern world. |
Description | Alternative book title: Modern Art Asia:
selected papers issues 1-8 |
Persistent Identifier | http://hdl.handle.net/10722/191952 |
ISBN |
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Chu, KW | en_US |
dc.date.accessioned | 2013-10-15T07:40:28Z | - |
dc.date.available | 2013-10-15T07:40:28Z | - |
dc.date.issued | 2012 | en_US |
dc.identifier.citation | Constructing Ruins: New Urban Aesthetics in Chinese Art and Cinema. In Munro, M (Ed.), Modern Art Asia: Papers on Modern and Contemporary Asian Art, p. 190-213. Cambridge, UK: Enzo Arts and Publishing Limited, 2012 | en_US |
dc.identifier.isbn | 9781909046016 | - |
dc.identifier.uri | http://hdl.handle.net/10722/191952 | - |
dc.description | Alternative book title: Modern Art Asia: selected papers issues 1-8 | - |
dc.description.abstract | Kiu-Wai Chu discusses the social, philosophical and aesthetic significance of modern ruins, and conceptualizes ruin aesthetics with examples taken from a selection of contemporary Chinese photographic art works and films. By contrasting modern, uncanny ruin aesthetics with classical Chinese landscape aesthetics, this paper focuses on examining changing aesthetics in modern Chinese art and cinema, and suggests a shift in the way Chinese people perceive the world, and the relationship between human beings and the environment; from focusing on the pursuit of man-nature unity to exposing disunity, disorder and disintegration in the modern world. | - |
dc.language | eng | en_US |
dc.publisher | Enzo Arts and Publishing Limited | en_US |
dc.relation.ispartof | Modern Art Asia: Papers on Modern and Contemporary Asian Art | en_US |
dc.title | Constructing Ruins: New Urban Aesthetics in Chinese Art and Cinema | en_US |
dc.type | Book_Chapter | en_US |
dc.identifier.hkuros | 225638 | en_US |
dc.identifier.spage | 190 | - |
dc.identifier.epage | 213 | - |
dc.publisher.place | Cambridge, UK | en_US |