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Book Chapter: Constructing Ruins: New Urban Aesthetics in Chinese Art and Cinema

TitleConstructing Ruins: New Urban Aesthetics in Chinese Art and Cinema
Authors
Issue Date2012
PublisherEnzo Arts and Publishing Limited
Citation
Constructing Ruins: New Urban Aesthetics in Chinese Art and Cinema. In Munro, M (Ed.), Modern Art Asia: Papers on Modern and Contemporary Asian Art, p. 190-213. Cambridge, UK: Enzo Arts and Publishing Limited, 2012 How to Cite?
AbstractKiu-Wai Chu discusses the social, philosophical and aesthetic significance of modern ruins, and conceptualizes ruin aesthetics with examples taken from a selection of contemporary Chinese photographic art works and films. By contrasting modern, uncanny ruin aesthetics with classical Chinese landscape aesthetics, this paper focuses on examining changing aesthetics in modern Chinese art and cinema, and suggests a shift in the way Chinese people perceive the world, and the relationship between human beings and the environment; from focusing on the pursuit of man-nature unity to exposing disunity, disorder and disintegration in the modern world.
DescriptionAlternative book title: Modern Art Asia: selected papers issues 1-8
Persistent Identifierhttp://hdl.handle.net/10722/191952
ISBN

 

DC FieldValueLanguage
dc.contributor.authorChu, KWen_US
dc.date.accessioned2013-10-15T07:40:28Z-
dc.date.available2013-10-15T07:40:28Z-
dc.date.issued2012en_US
dc.identifier.citationConstructing Ruins: New Urban Aesthetics in Chinese Art and Cinema. In Munro, M (Ed.), Modern Art Asia: Papers on Modern and Contemporary Asian Art, p. 190-213. Cambridge, UK: Enzo Arts and Publishing Limited, 2012en_US
dc.identifier.isbn9781909046016-
dc.identifier.urihttp://hdl.handle.net/10722/191952-
dc.descriptionAlternative book title: Modern Art Asia: selected papers issues 1-8-
dc.description.abstractKiu-Wai Chu discusses the social, philosophical and aesthetic significance of modern ruins, and conceptualizes ruin aesthetics with examples taken from a selection of contemporary Chinese photographic art works and films. By contrasting modern, uncanny ruin aesthetics with classical Chinese landscape aesthetics, this paper focuses on examining changing aesthetics in modern Chinese art and cinema, and suggests a shift in the way Chinese people perceive the world, and the relationship between human beings and the environment; from focusing on the pursuit of man-nature unity to exposing disunity, disorder and disintegration in the modern world.-
dc.languageengen_US
dc.publisherEnzo Arts and Publishing Limiteden_US
dc.relation.ispartofModern Art Asia: Papers on Modern and Contemporary Asian Arten_US
dc.titleConstructing Ruins: New Urban Aesthetics in Chinese Art and Cinemaen_US
dc.typeBook_Chapteren_US
dc.identifier.hkuros225638en_US
dc.identifier.spage190-
dc.identifier.epage213-
dc.publisher.placeCambridge, UKen_US

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