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Conference Paper: Adultery in Enemies Enamoured: Questions of Value, Morality, and Erotics in Late Seventeenth-Century Urban Jiangnan

TitleAdultery in Enemies Enamoured: Questions of Value, Morality, and Erotics in Late Seventeenth-Century Urban Jiangnan
Authors
Issue Date2014
PublisherThe Association for Asian Studies (AAS).
Citation
The 2014 Annual Conference of the Association for Asian Studies (AAS), Philadelphia, PA., 27-30 March 2014. How to Cite?
AbstractEnemies Enamored (Huanxi yuanjia) was a late Ming collection of 24 erotic short tales, several of which were expanded into pornographic novels in the early Qing. While the artistic taste and style of this collection can be read as more or less a continuation of Feng Menglong’s Sanyan or Ling Mengchu’s Erpai, it moves almost entirely away from drawing on story-lines from history and refocuses on everyday contemporary urban life. This paper will explore the interrelation of recurring themes of adultery and emerging modern valorizations of material and sexual desires. In contrast with widespread literary representations of women’s devotion to upholding the chastity cult in the late imperial period, Enemies Enamored portrays a very different imaginaire prevalent within the world of the urban masses. Where conventional love stories are always located in the domestic courtyard or garden (houhuayuan) and portray touching love between gifted young scholars and virtuous beauties, this genre finds its home along busy urban streets and public spaces where the struggle to maintain a livelihood is the setting for longed for love and relationships. This mix of pressures means that love, morality and money are equal in, or at least compete for, importance in the hearts of male and female protagonists. Furthermore, love, morality and money come under pressure themselves as the author’s refuse to either condemn or valorize adultery, treating it as one among many other facts of ordinary urban existence. With this new genre questions of shame and guilt so common within orthodox moral discourse are pushed well into the background, and new values and morals emerge as men and women negotiate common sense solutions to their predicaments. Very often solutions are phrased in terms of judgment, justice and equality of exchange that once agreed upon (and made public) allow all parties to accommodate less orthodox arrangements than would ever be considered by the elite, while at the same time persuading the reader to agree that these unorthodox arrangements also represented a form of morality, a form of morality closer to modern forms of accounting than established and time-honored virtues.
DescriptionPanel Paper
Session: Sex, Text, and Chinese Modernity: Seventeenth to Early Twentieth Century
Persistent Identifierhttp://hdl.handle.net/10722/199678

 

DC FieldValueLanguage
dc.contributor.authorWu, Cen_US
dc.date.accessioned2014-07-22T01:27:52Z-
dc.date.available2014-07-22T01:27:52Z-
dc.date.issued2014en_US
dc.identifier.citationThe 2014 Annual Conference of the Association for Asian Studies (AAS), Philadelphia, PA., 27-30 March 2014.en_US
dc.identifier.urihttp://hdl.handle.net/10722/199678-
dc.descriptionPanel Paper-
dc.descriptionSession: Sex, Text, and Chinese Modernity: Seventeenth to Early Twentieth Century-
dc.description.abstractEnemies Enamored (Huanxi yuanjia) was a late Ming collection of 24 erotic short tales, several of which were expanded into pornographic novels in the early Qing. While the artistic taste and style of this collection can be read as more or less a continuation of Feng Menglong’s Sanyan or Ling Mengchu’s Erpai, it moves almost entirely away from drawing on story-lines from history and refocuses on everyday contemporary urban life. This paper will explore the interrelation of recurring themes of adultery and emerging modern valorizations of material and sexual desires. In contrast with widespread literary representations of women’s devotion to upholding the chastity cult in the late imperial period, Enemies Enamored portrays a very different imaginaire prevalent within the world of the urban masses. Where conventional love stories are always located in the domestic courtyard or garden (houhuayuan) and portray touching love between gifted young scholars and virtuous beauties, this genre finds its home along busy urban streets and public spaces where the struggle to maintain a livelihood is the setting for longed for love and relationships. This mix of pressures means that love, morality and money are equal in, or at least compete for, importance in the hearts of male and female protagonists. Furthermore, love, morality and money come under pressure themselves as the author’s refuse to either condemn or valorize adultery, treating it as one among many other facts of ordinary urban existence. With this new genre questions of shame and guilt so common within orthodox moral discourse are pushed well into the background, and new values and morals emerge as men and women negotiate common sense solutions to their predicaments. Very often solutions are phrased in terms of judgment, justice and equality of exchange that once agreed upon (and made public) allow all parties to accommodate less orthodox arrangements than would ever be considered by the elite, while at the same time persuading the reader to agree that these unorthodox arrangements also represented a form of morality, a form of morality closer to modern forms of accounting than established and time-honored virtues.en_US
dc.languageengen_US
dc.publisherThe Association for Asian Studies (AAS).-
dc.relation.ispartofAnnual Conference of the Association for Asian Studies, AAS 2014en_US
dc.titleAdultery in Enemies Enamoured: Questions of Value, Morality, and Erotics in Late Seventeenth-Century Urban Jiangnanen_US
dc.typeConference_Paperen_US
dc.identifier.emailWu, C: wucuncun@hku.hken_US
dc.identifier.authorityWu, C=rp01420en_US
dc.identifier.hkuros231262en_US
dc.publisher.placeUnited Statesen_US

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