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Article: 'HOW MANY OF US REMEMBER 1984?': NARRATING MASCULINITY AND MILITANCY IN THE KHALISTANI RAP BRICOLAGE

Title'HOW MANY OF US REMEMBER 1984?': NARRATING MASCULINITY AND MILITANCY IN THE KHALISTANI RAP BRICOLAGE
Authors
Issue Date2013
Citation
Sikh Formations: Religion, Culture, Theory, 2013, v. 9, n. 3, p. 339-360 How to Cite?
AbstractFor some Sikh rappers and their audiences, the utopian concept of Khalistan serves as an ideological grid, in which specific masculine and militant logics become meaningful and acceptable. In diasporic settings, such as in the UK, memories of ancestral cultures serve as mythical resources for constructing coherent narratives vis-à-vis metaphorical discourses of contemporary youth cultures. This article investigates the ways in which such narratives are constructed, and how historical remembering is explicitly and tacitly made relevant. An analysis of the lyrics of one song by a London-based hip-hop group will help to inform such perspectives on the negotiation of culture in diasporic settings, and will further deconstruct essentialist notions of 'culture' and 'identity'. © 2013 Taylor & Francis.
Persistent Identifierhttp://hdl.handle.net/10722/262840
ISSN
2023 Impact Factor: 0.2
2023 SCImago Journal Rankings: 0.200
ISI Accession Number ID

 

DC FieldValueLanguage
dc.contributor.authorSingh, Jaspal Naveel-
dc.date.accessioned2018-10-08T02:47:14Z-
dc.date.available2018-10-08T02:47:14Z-
dc.date.issued2013-
dc.identifier.citationSikh Formations: Religion, Culture, Theory, 2013, v. 9, n. 3, p. 339-360-
dc.identifier.issn1744-8727-
dc.identifier.urihttp://hdl.handle.net/10722/262840-
dc.description.abstractFor some Sikh rappers and their audiences, the utopian concept of Khalistan serves as an ideological grid, in which specific masculine and militant logics become meaningful and acceptable. In diasporic settings, such as in the UK, memories of ancestral cultures serve as mythical resources for constructing coherent narratives vis-à-vis metaphorical discourses of contemporary youth cultures. This article investigates the ways in which such narratives are constructed, and how historical remembering is explicitly and tacitly made relevant. An analysis of the lyrics of one song by a London-based hip-hop group will help to inform such perspectives on the negotiation of culture in diasporic settings, and will further deconstruct essentialist notions of 'culture' and 'identity'. © 2013 Taylor & Francis.-
dc.languageeng-
dc.relation.ispartofSikh Formations: Religion, Culture, Theory-
dc.title'HOW MANY OF US REMEMBER 1984?': NARRATING MASCULINITY AND MILITANCY IN THE KHALISTANI RAP BRICOLAGE-
dc.typeArticle-
dc.description.naturelink_to_subscribed_fulltext-
dc.identifier.doi10.1080/17448727.2013.863061-
dc.identifier.scopuseid_2-s2.0-84890836488-
dc.identifier.volume9-
dc.identifier.issue3-
dc.identifier.spage339-
dc.identifier.epage360-
dc.identifier.eissn1744-8735-
dc.identifier.isiWOS:000415074100005-
dc.identifier.issnl1744-8727-

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