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Conference Paper: Non-Aligned Architecture: China's Designs on and in Ghana and Guinea, 1955-1992

TitleNon-Aligned Architecture: China's Designs on and in Ghana and Guinea, 1955-1992
Authors
Issue Date2014
PublisherSchool of Modern Languages and Cultures, the University of Hong Kong.
Citation
Seminar, School of Modern Languages and Cultures, Faculty of Arts, the University of Hong Kong, Hong Kong, 26 November 2014 How to Cite?
AbstractThis paper examines several architectural collaborations between the People’s Republic of China and two of sub-Saharan Africa’s first decolonized governments in Ghana and Guinea. As physical evidence of new Sino-African partnerships, Chinese design and construction projects in both Ghana and Guinea initially promised a welcome alternative to preexisting, colonial and Cold War-era infrastructural production models. Analysis of the works themselves, however, coupled with a closer look at the political and ideological rhetoric behind their production, reveals a kind of cross-cultural cooperation emblematic of new geopolitical forces yet inscribed with many of the same operational and epistemic imbalances that have marked other kinds of foreign architectural engagement with African countries.
Persistent Identifierhttp://hdl.handle.net/10722/271672

 

DC FieldValueLanguage
dc.contributor.authorRoskam, C-
dc.date.accessioned2019-07-11T06:43:04Z-
dc.date.available2019-07-11T06:43:04Z-
dc.date.issued2014-
dc.identifier.citationSeminar, School of Modern Languages and Cultures, Faculty of Arts, the University of Hong Kong, Hong Kong, 26 November 2014-
dc.identifier.urihttp://hdl.handle.net/10722/271672-
dc.description.abstractThis paper examines several architectural collaborations between the People’s Republic of China and two of sub-Saharan Africa’s first decolonized governments in Ghana and Guinea. As physical evidence of new Sino-African partnerships, Chinese design and construction projects in both Ghana and Guinea initially promised a welcome alternative to preexisting, colonial and Cold War-era infrastructural production models. Analysis of the works themselves, however, coupled with a closer look at the political and ideological rhetoric behind their production, reveals a kind of cross-cultural cooperation emblematic of new geopolitical forces yet inscribed with many of the same operational and epistemic imbalances that have marked other kinds of foreign architectural engagement with African countries.-
dc.languageeng-
dc.publisherSchool of Modern Languages and Cultures, the University of Hong Kong. -
dc.relation.ispartofSeminar, School of Modern Languages and Cultures, Faculty of Arts, the University of Hong Kong-
dc.titleNon-Aligned Architecture: China's Designs on and in Ghana and Guinea, 1955-1992-
dc.typeConference_Paper-
dc.identifier.emailRoskam, C: roskam@hku.hk-
dc.identifier.authorityRoskam, C=rp01427-
dc.identifier.hkuros243385-
dc.publisher.placeHong Kong-

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