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Book Chapter: New Fiction as a Medium of Public Opinion: The Utopian/Dystopian Imagination in Revolutionary Periodicals in Late Qing China

TitleNew Fiction as a Medium of Public Opinion: The Utopian/Dystopian Imagination in Revolutionary Periodicals in Late Qing China
Authors
Issue Date2020
PublisherPalgrave Macmillan
Citation
New Fiction as a Medium of Public Opinion: The Utopian/Dystopian Imagination in Revolutionary Periodicals in Late Qing China. In Aliakbari, R (Ed.), Comparative Print Culture: A Study of Alternative Literary Modernities, p. 105-121. Cham: Palgrave Macmillan, 2020 How to Cite?
AbstractInvented by Liang Qichao, New Fiction (xin xiaoshuo) was considered a political instrument for delivering a Chinese print-based modernity. Most of these novels were primarily published in late Qing’s journals and newspapers. With reference to Rudolf Wagner’s concept of the Chinese public sphere, this chapter demonstrates that New Fiction served to form of public opinion. This chapter selects the topical issue of China’s partition (1903–1904) to investigate the way in which three revolutionary periodicals—the Jiangsu Journal, Study Abroad and Translation Magazine, and The Alarming News from Russia—were involved in public articulation. By demonstrating New Fiction’s prediction of either a prosperous, utopian future or a dystopian China as a form of criticism of the Qing court, this chapter will shed light on the utopian and dystopian imaginations in revolutionary periodicals and their contribution to popularizing a sense of a new China at the turn of the twentieth century in the Chinese public sphere.
Persistent Identifierhttp://hdl.handle.net/10722/281745
ISBN

 

DC FieldValueLanguage
dc.contributor.authorLeung, SM-
dc.date.accessioned2020-03-22T04:19:01Z-
dc.date.available2020-03-22T04:19:01Z-
dc.date.issued2020-
dc.identifier.citationNew Fiction as a Medium of Public Opinion: The Utopian/Dystopian Imagination in Revolutionary Periodicals in Late Qing China. In Aliakbari, R (Ed.), Comparative Print Culture: A Study of Alternative Literary Modernities, p. 105-121. Cham: Palgrave Macmillan, 2020-
dc.identifier.isbn9783030368913-
dc.identifier.urihttp://hdl.handle.net/10722/281745-
dc.description.abstractInvented by Liang Qichao, New Fiction (xin xiaoshuo) was considered a political instrument for delivering a Chinese print-based modernity. Most of these novels were primarily published in late Qing’s journals and newspapers. With reference to Rudolf Wagner’s concept of the Chinese public sphere, this chapter demonstrates that New Fiction served to form of public opinion. This chapter selects the topical issue of China’s partition (1903–1904) to investigate the way in which three revolutionary periodicals—the Jiangsu Journal, Study Abroad and Translation Magazine, and The Alarming News from Russia—were involved in public articulation. By demonstrating New Fiction’s prediction of either a prosperous, utopian future or a dystopian China as a form of criticism of the Qing court, this chapter will shed light on the utopian and dystopian imaginations in revolutionary periodicals and their contribution to popularizing a sense of a new China at the turn of the twentieth century in the Chinese public sphere.-
dc.languageeng-
dc.publisherPalgrave Macmillan-
dc.relation.ispartofComparative Print Culture: A Study of Alternative Literary Modernities-
dc.titleNew Fiction as a Medium of Public Opinion: The Utopian/Dystopian Imagination in Revolutionary Periodicals in Late Qing China-
dc.typeBook_Chapter-
dc.identifier.emailLeung, SM: leungssm@hku.hk-
dc.identifier.authorityLeung, SM=rp02361-
dc.identifier.doi10.1007/978-3-030-36891-3_6-
dc.identifier.hkuros309404-
dc.identifier.spage105-
dc.identifier.epage121-
dc.publisher.placeCham-

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