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Book Chapter: The House Of Serenos And Wall Painting In The Western Oases

TitleThe House Of Serenos And Wall Painting In The Western Oases
Authors
Issue Date2019
PublisherCambridge University Press
Citation
The House Of Serenos And Wall Painting In The Western Oases. In Bagnall, RS & Tallet, G (Eds.), The Great Oasis Of Egypt: The Kharga And Dakhla Oases In Antiquity, p. 281-296. Cambridge, UK: Cambridge University Press, 2019 How to Cite?
AbstractExcavations at Amheida between 2004 and 2006 revealed a large, late antique domicile, dubbed the 'House of Serenos,' filled with an astonishing array of decorated plaster – a rare find in terms of quantity as well as the subject matter of the paintings in the house’s main reception room. Showcasing lively figural scenes drawn from Greco-Roman mythology in an era when one might expect instead Christian iconography, the visual program of this house reveals much about the sophisticated visual and literary culture at play in a city that could otherwise be considered a backwater given its distance from the major metropolitan centers of the Nile. This chapter surveys therefore the extraordinary corpus of late antique wall painting from Amheida’s House of Serenos alongside other examples of decorated plaster from the Great Oasis in order to interrogate the role played by artistic practice and visual culture in general in articulating the social, political, and religious dynamics of late antique Egypt.
Persistent Identifierhttp://hdl.handle.net/10722/286572
ISBN

 

DC FieldValueLanguage
dc.contributor.authorMcFadden, SE-
dc.date.accessioned2020-08-31T07:05:41Z-
dc.date.available2020-08-31T07:05:41Z-
dc.date.issued2019-
dc.identifier.citationThe House Of Serenos And Wall Painting In The Western Oases. In Bagnall, RS & Tallet, G (Eds.), The Great Oasis Of Egypt: The Kharga And Dakhla Oases In Antiquity, p. 281-296. Cambridge, UK: Cambridge University Press, 2019-
dc.identifier.isbn978-1-108-48216-5-
dc.identifier.urihttp://hdl.handle.net/10722/286572-
dc.description.abstractExcavations at Amheida between 2004 and 2006 revealed a large, late antique domicile, dubbed the 'House of Serenos,' filled with an astonishing array of decorated plaster – a rare find in terms of quantity as well as the subject matter of the paintings in the house’s main reception room. Showcasing lively figural scenes drawn from Greco-Roman mythology in an era when one might expect instead Christian iconography, the visual program of this house reveals much about the sophisticated visual and literary culture at play in a city that could otherwise be considered a backwater given its distance from the major metropolitan centers of the Nile. This chapter surveys therefore the extraordinary corpus of late antique wall painting from Amheida’s House of Serenos alongside other examples of decorated plaster from the Great Oasis in order to interrogate the role played by artistic practice and visual culture in general in articulating the social, political, and religious dynamics of late antique Egypt.-
dc.languageeng-
dc.publisherCambridge University Press-
dc.relation.ispartofThe Great Oasis Of Egypt: The Kharga And Dakhla Oases In Antiquity-
dc.titleThe House Of Serenos And Wall Painting In The Western Oases-
dc.typeBook_Chapter-
dc.identifier.emailMcFadden, SE: smcfadde@hku.hk-
dc.identifier.authorityMcFadden, SE=rp02593-
dc.identifier.doi10.1017/9781108593274.016-
dc.identifier.hkuros313537-
dc.identifier.spage281-
dc.identifier.epage296-
dc.publisher.placeCambridge, UK-

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