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Article: Transwar Continuities of Colonial Intimacy: Korean–Japanese Relationships in Korean Cinema, 1940s-1960s

TitleTranswar Continuities of Colonial Intimacy: Korean–Japanese Relationships in Korean Cinema, 1940s-1960s
Authors
KeywordsKorea
transwar
colonialism
Korean–Japanese relationship
Korean cinema
Issue Date2021
PublisherTaylor & Francis (Routledge) for Asian Studies Association of Australia. The Journal's web site is located at http://www.tandf.co.uk/journals/titles/10357823.asp
Citation
Asian Studies Review, 2021, v. 45 n. 3, p. 400-419 How to Cite?
AbstractThis article explores Korean cinema from the 1940s to the 1960s with a focus on films about Korean–Japanese intimacy. In parallel with the promotion of Korean–Japanese intermarriage by the Japanese colonial government, a number of films produced during the colonial period portrayed intimate Korean–Japanese relationships, including marriages, friendships and affective communities. These representations disappeared immediately after the liberation, but they reappeared in the 1960s in South Korean cinema, owing to a shift in the government’s attitude toward Japan. Among Korean movies shot in Japan or featuring Japanese culture, colonial intimacy was a popular topic, particularly when it depicted romance between Korean men and Japanese women against the background of colonial history. This article argues that manifestations of colonial intimacy in Korean cinema between the 1940s and the 1960s – the transwar period – had a clear affinity with one another, portraying diverse emotions and affective relationships even in films featuring a propagandistic or nationalist militarised masculinity. I also highlight the inconsistencies of this period: whereas pre-1945 movies focussed on mutual support within affective communities, 1960s works more strongly foregrounded male heroes. All of these representations, however, critically reflect on the sociopolitical conditions of colonialism, the civil war and the Cold War.
Persistent Identifierhttp://hdl.handle.net/10722/287100
ISSN
2023 Impact Factor: 1.2
2023 SCImago Journal Rankings: 0.302
ISI Accession Number ID

 

DC FieldValueLanguage
dc.contributor.authorKim, SY-
dc.date.accessioned2020-09-22T02:55:43Z-
dc.date.available2020-09-22T02:55:43Z-
dc.date.issued2021-
dc.identifier.citationAsian Studies Review, 2021, v. 45 n. 3, p. 400-419-
dc.identifier.issn1035-7823-
dc.identifier.urihttp://hdl.handle.net/10722/287100-
dc.description.abstractThis article explores Korean cinema from the 1940s to the 1960s with a focus on films about Korean–Japanese intimacy. In parallel with the promotion of Korean–Japanese intermarriage by the Japanese colonial government, a number of films produced during the colonial period portrayed intimate Korean–Japanese relationships, including marriages, friendships and affective communities. These representations disappeared immediately after the liberation, but they reappeared in the 1960s in South Korean cinema, owing to a shift in the government’s attitude toward Japan. Among Korean movies shot in Japan or featuring Japanese culture, colonial intimacy was a popular topic, particularly when it depicted romance between Korean men and Japanese women against the background of colonial history. This article argues that manifestations of colonial intimacy in Korean cinema between the 1940s and the 1960s – the transwar period – had a clear affinity with one another, portraying diverse emotions and affective relationships even in films featuring a propagandistic or nationalist militarised masculinity. I also highlight the inconsistencies of this period: whereas pre-1945 movies focussed on mutual support within affective communities, 1960s works more strongly foregrounded male heroes. All of these representations, however, critically reflect on the sociopolitical conditions of colonialism, the civil war and the Cold War.-
dc.languageeng-
dc.publisherTaylor & Francis (Routledge) for Asian Studies Association of Australia. The Journal's web site is located at http://www.tandf.co.uk/journals/titles/10357823.asp-
dc.relation.ispartofAsian Studies Review-
dc.rightsPreprint: This is an Author's Original Manuscript of an article published by Taylor & Francis Group in [JOURNAL TITLE] on [date of publication], available online: http://www.tandfonline.com/doi/abs/[Article DOI]. Postprint: This is an Accepted Manuscript of an article published by Taylor & Francis Group in [JOURNAL TITLE] on [date of publication], available online at: http://www.tandfonline.com/doi/abs/[Article DOI].-
dc.subjectKorea-
dc.subjecttranswar-
dc.subjectcolonialism-
dc.subjectKorean–Japanese relationship-
dc.subjectKorean cinema-
dc.titleTranswar Continuities of Colonial Intimacy: Korean–Japanese Relationships in Korean Cinema, 1940s-1960s-
dc.typeArticle-
dc.identifier.emailKim, SY: suyunkim@hku.hk-
dc.identifier.authorityKim, SY=rp01665-
dc.description.naturelink_to_subscribed_fulltext-
dc.identifier.doi10.1080/10357823.2020.1809633-
dc.identifier.scopuseid_2-s2.0-85089994181-
dc.identifier.hkuros314381-
dc.identifier.volume45-
dc.identifier.issue3-
dc.identifier.spage400-
dc.identifier.epage419-
dc.identifier.isiWOS:000564045500001-
dc.publisher.placeUnited Kingdom-
dc.identifier.issnl1035-7823-

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