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Article: ‘Do not allow an empty goblet to face the moon’: lyrical materialities in the drinking poems of Li Bai 李白(701–762) and Du Fu 杜甫 (712–770)

Title‘Do not allow an empty goblet to face the moon’: lyrical materialities in the drinking poems of Li Bai 李白(701–762) and Du Fu 杜甫 (712–770)
Authors
Issue Date2020
PublisherPalgrave Macmillan Ltd.
Citation
Postmedieval, 2020, v. 11, n. 1, p. 57-67 How to Cite?
AbstractThis essay explores poems by the Tang poets Li Bai and Du Fu to show how they anticipate insights of new materialism as the natural product of a classical Chinese conception of the universe. It discusses traditional Chinese metaphysics to argue that the idea of the ‘the ten thousand things’ (萬物 wanwu) infuses poetic scenes of drinking with a phenomenological encounter with the natural world. Lyric scenes of transcendence or immortality (understood from a Daoist perspective as not beyond nature like a soul but imbedded within it) suggest that keeping oneself as open as possible to mutually transformative exchanges is the best way for human beings to nourish vitality and dynamism. The imbibing of wine is often the conduit for such reflections. The materiality of the Chinese lyric and the non-human actants it bodies forth reinforce the interconnectedness and interdependence between the human subject and the more-than-human world.
Persistent Identifierhttp://hdl.handle.net/10722/303662
ISSN
2021 Impact Factor: 0.430
2020 SCImago Journal Rankings: 0.110
ISI Accession Number ID

 

DC FieldValueLanguage
dc.contributor.authorHarper, E-
dc.date.accessioned2021-09-15T08:25:46Z-
dc.date.available2021-09-15T08:25:46Z-
dc.date.issued2020-
dc.identifier.citationPostmedieval, 2020, v. 11, n. 1, p. 57-67-
dc.identifier.issn2040-5960-
dc.identifier.urihttp://hdl.handle.net/10722/303662-
dc.description.abstractThis essay explores poems by the Tang poets Li Bai and Du Fu to show how they anticipate insights of new materialism as the natural product of a classical Chinese conception of the universe. It discusses traditional Chinese metaphysics to argue that the idea of the ‘the ten thousand things’ (萬物 wanwu) infuses poetic scenes of drinking with a phenomenological encounter with the natural world. Lyric scenes of transcendence or immortality (understood from a Daoist perspective as not beyond nature like a soul but imbedded within it) suggest that keeping oneself as open as possible to mutually transformative exchanges is the best way for human beings to nourish vitality and dynamism. The imbibing of wine is often the conduit for such reflections. The materiality of the Chinese lyric and the non-human actants it bodies forth reinforce the interconnectedness and interdependence between the human subject and the more-than-human world.-
dc.languageeng-
dc.publisherPalgrave Macmillan Ltd.-
dc.relation.ispartofPostmedieval-
dc.title‘Do not allow an empty goblet to face the moon’: lyrical materialities in the drinking poems of Li Bai 李白(701–762) and Du Fu 杜甫 (712–770)-
dc.typeArticle-
dc.description.naturelink_to_subscribed_fulltext-
dc.identifier.doi10.1057/s41280-020-00155-y-
dc.identifier.scopuseid_2-s2.0-85083064598-
dc.identifier.hkuros330619-
dc.identifier.volume11-
dc.identifier.issue1-
dc.identifier.spage57-
dc.identifier.epage67-
dc.identifier.eissn2040-5979-
dc.identifier.isiWOS:000524530200006-
dc.publisher.placeUnited Kingdom-

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