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Article: Chinese visitors to 18th century Britain and their contribution to its cultural and intellectual life
Title | Chinese visitors to 18th century Britain and their contribution to its cultural and intellectual life |
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Authors | |
Issue Date | 2017 |
Publisher | Wiley-Blackwell Publishing Ltd. The Journal's web site is located at https://onlinelibrary.wiley.com/journal/14678748 |
Citation | Curtis’s Botanical Magazine, 2017, v. 34 n. 4, p. 498-521 How to Cite? |
Abstract | This essay introduces three 18th century Chinese visitors to Britain, analysing the important role they played in cross-cultural intellectual and artistic contact between the two countries. Loum Kiqua, a merchant, arrived in London in 1756. He gave the first known performance on a Chinese musical instrument in the West. Chitqua, a portrait modeller who arrived in 1769, exhibited at the newly-established Royal Academy (becoming the first named Chinese artist to have a work shown in an overseas exhibit). Whang at Tong (Whang Atong, Huang Yadong), was only in his early 20s at the time of his arrival in England in August 1774, but he played a significant role in the transfer of botanical knowledge from China to the West through his connections with John Bradby Blake in Canton and his father John Blake in London. |
Persistent Identifier | http://hdl.handle.net/10722/311251 |
ISSN |
DC Field | Value | Language |
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dc.contributor.author | Clarke, D | - |
dc.date.accessioned | 2022-03-19T11:04:00Z | - |
dc.date.available | 2022-03-19T11:04:00Z | - |
dc.date.issued | 2017 | - |
dc.identifier.citation | Curtis’s Botanical Magazine, 2017, v. 34 n. 4, p. 498-521 | - |
dc.identifier.issn | 1355-4905 | - |
dc.identifier.uri | http://hdl.handle.net/10722/311251 | - |
dc.description.abstract | This essay introduces three 18th century Chinese visitors to Britain, analysing the important role they played in cross-cultural intellectual and artistic contact between the two countries. Loum Kiqua, a merchant, arrived in London in 1756. He gave the first known performance on a Chinese musical instrument in the West. Chitqua, a portrait modeller who arrived in 1769, exhibited at the newly-established Royal Academy (becoming the first named Chinese artist to have a work shown in an overseas exhibit). Whang at Tong (Whang Atong, Huang Yadong), was only in his early 20s at the time of his arrival in England in August 1774, but he played a significant role in the transfer of botanical knowledge from China to the West through his connections with John Bradby Blake in Canton and his father John Blake in London. | - |
dc.language | eng | - |
dc.publisher | Wiley-Blackwell Publishing Ltd. The Journal's web site is located at https://onlinelibrary.wiley.com/journal/14678748 | - |
dc.relation.ispartof | Curtis’s Botanical Magazine | - |
dc.rights | This is the peer reviewed version of the following article: Curtis’s Botanical Magazine, 2017, v. 34 n. 4, p. 498-521, which has been published in final form at https://doi.org/10.1111/curt.12201. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Use of Self-Archived Versions. | - |
dc.title | Chinese visitors to 18th century Britain and their contribution to its cultural and intellectual life | - |
dc.type | Article | - |
dc.identifier.email | Clarke, D: dclarke@hku.hk | - |
dc.identifier.authority | Clarke, D=rp01181 | - |
dc.description.nature | postprint | - |
dc.identifier.doi | 10.1111/curt.12201 | - |
dc.identifier.hkuros | 700004020 | - |
dc.identifier.volume | 34 | - |
dc.identifier.issue | 4 | - |
dc.identifier.spage | 498 | - |
dc.identifier.epage | 521 | - |
dc.publisher.place | United Kingdom | - |