File Download
There are no files associated with this item.
Links for fulltext
(May Require Subscription)
- Publisher Website: 10.1016/j.poetic.2017.03.002
- Scopus: eid_2-s2.0-85017550751
- WOS: WOS:000403127300002
- Find via
Supplementary
- Citations:
- Appears in Collections:
Article: Reframing the ‘Violence’ of Mixed Martial Arts: The ‘Art’ of the fight
Title | Reframing the ‘Violence’ of Mixed Martial Arts: The ‘Art’ of the fight |
---|---|
Authors | |
Keywords | Aesthetics Distinction Media framing Mixed-Martial Arts Violence |
Issue Date | 2017 |
Citation | Poetics, 2017, v. 62, p. 15-28 How to Cite? |
Abstract | This paper deploys conceptual and analytical tools from cultural sociology to analyze Mixed Martial Arts (MMA). While often characterized as violent and uncivilized, MMA has a core following of fans who watch MMA and consume MMA media out of an interest in the aesthetics of the sport. As salient actors within the ‘internally legitimate’ sphere of the sport, this paper explores the way the MMA media construct symbolic boundaries around different kinds of fights through aesthetic and moral evaluations. Through qualitative content analysis of MMA media discourse, I attempt to reconstruct their general aesthetic principles, demonstrating a fourfold typology of MMA in practice: repulsive ‘excessive violence’, boring ‘insufficient action’, soft ‘palatable practices’, and sublime ‘aesthetic violence’. This framework allows the MMA media as ‘connoisseurs’ to create hierarchical ‘distinctions’ between their aesthetic attitudes and those of more casual ‘mass’ audiences. This research may prove useful for scholars interested in MMA, culture, and sports media studies. |
Persistent Identifier | http://hdl.handle.net/10722/330544 |
ISSN | 2023 Impact Factor: 2.0 2023 SCImago Journal Rankings: 0.858 |
ISI Accession Number ID |
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Brett, Gordon | - |
dc.date.accessioned | 2023-09-05T12:11:40Z | - |
dc.date.available | 2023-09-05T12:11:40Z | - |
dc.date.issued | 2017 | - |
dc.identifier.citation | Poetics, 2017, v. 62, p. 15-28 | - |
dc.identifier.issn | 0304-422X | - |
dc.identifier.uri | http://hdl.handle.net/10722/330544 | - |
dc.description.abstract | This paper deploys conceptual and analytical tools from cultural sociology to analyze Mixed Martial Arts (MMA). While often characterized as violent and uncivilized, MMA has a core following of fans who watch MMA and consume MMA media out of an interest in the aesthetics of the sport. As salient actors within the ‘internally legitimate’ sphere of the sport, this paper explores the way the MMA media construct symbolic boundaries around different kinds of fights through aesthetic and moral evaluations. Through qualitative content analysis of MMA media discourse, I attempt to reconstruct their general aesthetic principles, demonstrating a fourfold typology of MMA in practice: repulsive ‘excessive violence’, boring ‘insufficient action’, soft ‘palatable practices’, and sublime ‘aesthetic violence’. This framework allows the MMA media as ‘connoisseurs’ to create hierarchical ‘distinctions’ between their aesthetic attitudes and those of more casual ‘mass’ audiences. This research may prove useful for scholars interested in MMA, culture, and sports media studies. | - |
dc.language | eng | - |
dc.relation.ispartof | Poetics | - |
dc.subject | Aesthetics | - |
dc.subject | Distinction | - |
dc.subject | Media framing | - |
dc.subject | Mixed-Martial Arts | - |
dc.subject | Violence | - |
dc.title | Reframing the ‘Violence’ of Mixed Martial Arts: The ‘Art’ of the fight | - |
dc.type | Article | - |
dc.description.nature | link_to_subscribed_fulltext | - |
dc.identifier.doi | 10.1016/j.poetic.2017.03.002 | - |
dc.identifier.scopus | eid_2-s2.0-85017550751 | - |
dc.identifier.volume | 62 | - |
dc.identifier.spage | 15 | - |
dc.identifier.epage | 28 | - |
dc.identifier.isi | WOS:000403127300002 | - |