Traversing time and space exploring compressed modernity in East Asian cinema

Abstract

This project provides a comprehensive exploration of the phenomenon of compressed modernity in East Asian societies through a comparative analysis of the cinematic works of three leading realist filmmakers: Lee Chang-dong, Jia Zhangke, and Hirokazu Kore-eda. The concept of compressed modernity, characterized by rapid transformations in society, culture, and personal identity, is a salient feature of modern life in East Asia and a significant theme in the films of these directors. This phenomenon, triggered by fast-paced urbanization and industrialization, has resulted in the reconfiguration of time and space, a central element in the narrative and visual strategies of these filmmakers. The films analyzed present a profound portrayal of the unsettling effects of urbanization and industrialization, the dynamic coexistence of historical and societal elements, and the erosion of traditional family structures. Within this context, the paper also examines the complex tensions between tradition and modernity in East Asia, shedding light on the identity and values of societies undergoing rapid transformation. Additionally, the study illuminates the restructuring of family relationships and intimate connections in contemporary East Asian societies, highlighting a trend towards “risk-aversive individualization.” The juxtaposition of these three filmmakers' works reveals a comparative experience of compressed modernity in East Asian countries, illustrating how different interactions between tradition and modernity emerge, while underlining the illusory nature of East Asian countries in the wake of hurried development. This project concludes by emphasizing the need for further research, suggesting the inclusion of a broader spectrum of filmmakers, genres, and other textual sources to provide a more nuanced understanding of this complex phenomenon.