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postgraduate thesis: What do pets mean to Chinese women? : an analysis of the woman-pet relationship in China through representations of pet documentaries
Title | What do pets mean to Chinese women? : an analysis of the woman-pet relationship in China through representations of pet documentaries |
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Authors | |
Issue Date | 2024 |
Publisher | The University of Hong Kong (Pokfulam, Hong Kong) |
Citation | Sun, W. [孙唯]. (2024). What do pets mean to Chinese women? : an analysis of the woman-pet relationship in China through representations of pet documentaries. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. |
Abstract | As pet-keeping is becoming more and more popular in China, current studies
mainly emphasize the human-animal relationship but less research touches upon the
gender difference in this relationship. This dissertation focuses on the woman-pet
relationship. By analyzing four Chinese pet documentaries as representations of the
current situation, this dissertation answers the functions pets serve for Chinese women
in the 2020s. The four documentaries are Modern Furry Tale (2021), Animal Clinic
(2021), Can’t Leave You (2021) and This Life (2018, 2020, 2021). The pet
documentaries intend to present a harmonious picture of companion species which
suits Donna Haraway’s discussion about companion species. However, the
interactions between companion species reflect more social issues. I would like to
propose that most women address themselves as mothers of companion animals
because of their wish for subjectivity by redefining the concept of “mother”. What’s
more, the pet economy makes women trapped in practicing neoliberalism rather than
gaining pure emotional support. Women voluntarily take part in the pet economy and
continue to exploit themselves in the name of pleasing themselves. It deserves further
thinking that Chinese feminist activities take forms of real feminist actions or
pseudo-feminist actions. For pet-keeping, there is a long way to achieve the status of
companion species due to problems like personifying pets, imagining unconditional
love, and active participation in the pet economy.
|
Degree | Master of Arts |
Subject | Human-animal relationships in motion pictures Women in motion pictures Documentary films - China - History and criticism |
Dept/Program | Literary and Cultural Studies |
Persistent Identifier | http://hdl.handle.net/10722/352814 |
DC Field | Value | Language |
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dc.contributor.author | Sun, Wei | - |
dc.contributor.author | 孙唯 | - |
dc.date.accessioned | 2025-01-08T06:46:23Z | - |
dc.date.available | 2025-01-08T06:46:23Z | - |
dc.date.issued | 2024 | - |
dc.identifier.citation | Sun, W. [孙唯]. (2024). What do pets mean to Chinese women? : an analysis of the woman-pet relationship in China through representations of pet documentaries. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. | - |
dc.identifier.uri | http://hdl.handle.net/10722/352814 | - |
dc.description.abstract | As pet-keeping is becoming more and more popular in China, current studies mainly emphasize the human-animal relationship but less research touches upon the gender difference in this relationship. This dissertation focuses on the woman-pet relationship. By analyzing four Chinese pet documentaries as representations of the current situation, this dissertation answers the functions pets serve for Chinese women in the 2020s. The four documentaries are Modern Furry Tale (2021), Animal Clinic (2021), Can’t Leave You (2021) and This Life (2018, 2020, 2021). The pet documentaries intend to present a harmonious picture of companion species which suits Donna Haraway’s discussion about companion species. However, the interactions between companion species reflect more social issues. I would like to propose that most women address themselves as mothers of companion animals because of their wish for subjectivity by redefining the concept of “mother”. What’s more, the pet economy makes women trapped in practicing neoliberalism rather than gaining pure emotional support. Women voluntarily take part in the pet economy and continue to exploit themselves in the name of pleasing themselves. It deserves further thinking that Chinese feminist activities take forms of real feminist actions or pseudo-feminist actions. For pet-keeping, there is a long way to achieve the status of companion species due to problems like personifying pets, imagining unconditional love, and active participation in the pet economy. | - |
dc.language | eng | - |
dc.publisher | The University of Hong Kong (Pokfulam, Hong Kong) | - |
dc.relation.ispartof | HKU Theses Online (HKUTO) | - |
dc.rights | The author retains all proprietary rights, (such as patent rights) and the right to use in future works. | - |
dc.rights | This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. | - |
dc.subject.lcsh | Human-animal relationships in motion pictures | - |
dc.subject.lcsh | Women in motion pictures | - |
dc.subject.lcsh | Documentary films - China - History and criticism | - |
dc.title | What do pets mean to Chinese women? : an analysis of the woman-pet relationship in China through representations of pet documentaries | - |
dc.type | PG_Thesis | - |
dc.description.thesisname | Master of Arts | - |
dc.description.thesislevel | Master | - |
dc.description.thesisdiscipline | Literary and Cultural Studies | - |
dc.description.nature | published_or_final_version | - |
dc.date.hkucongregation | 2024 | - |
dc.identifier.mmsid | 991044892608903414 | - |