“Why shouldn’t the flâneur be stoned”: Anglo-Quebecois writer Gail Scott’s Turn-of-millennium Novel _My Paris_

Abstract

<p>This talk offers a slice of my ongoing book project “Imperfect Flâneurs” (in contract with McGill-Queen’s UP) which studies reïnterpretations of the flâneur in contemporary novels. Baudelaire sketches the perfect flâneur as a cosmopolitan spectator who feels everywhere at home and sees the world from the privileged position at the centre. My project emerges from this simple question: can the flaneur be imperfect?</p><p>My example for the talk is Gail Scott’s 1999 novel <em>My Paris</em> – a fictional travel journal of the writer who won a six-month residency with studio space in Paris. Like many travellers and sojourners in Paris today, during her stay, the narrator is tempted to taste the pleasures of walking Paris as a flâneur. Her daily flânerie leads her to this unexpected question with a street slang in the predicate, “why shouldn’t the flâneur be stoned[?]” I propose an innovative reading of this novel by way of critical reflection on this rhetorical question. The profound implications behind it are relevant to Scott’s creative process and such unprecedented features in this novel as the conversion of most of the verbs into present participles and the fabrication of a narrative voice that can be described as porous and sutured.</p><p><br></p>