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- Publisher Website: 10.1080/01411896.2025.2505871
- Scopus: eid_2-s2.0-105008467131
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Article: Piano Fingering and the Embodied Expression of Bodily Effort
| Title | Piano Fingering and the Embodied Expression of Bodily Effort |
|---|---|
| Authors | |
| Issue Date | 20-Jun-2025 |
| Publisher | Taylor and Francis Group |
| Citation | Journal of Musicological Research, 2025, v. 44, n. 1, p. 72-99 How to Cite? |
| Abstract | This study investigates the role of piano fingering in expressing embodied effort in Beethoven’s piano works. By analyzing the use of fingering in scale passages, this research highlights the importance of performers’ physical engagement in generating musical meaning. The examination of didactic treatises, per- forming editions, and recorded performances serves as a means for understanding embodied expression in music. In doing so, this study suggests that piano fingering offers a converging point for theoretical, historical, and empirical perspectives, fostering a more comprehensive understanding of the embodied music experience. |
| Persistent Identifier | http://hdl.handle.net/10722/358574 |
| ISSN | 2023 Impact Factor: 0.4 2023 SCImago Journal Rankings: 0.101 |
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Kim, Youn | - |
| dc.date.accessioned | 2025-08-07T00:33:08Z | - |
| dc.date.available | 2025-08-07T00:33:08Z | - |
| dc.date.issued | 2025-06-20 | - |
| dc.identifier.citation | Journal of Musicological Research, 2025, v. 44, n. 1, p. 72-99 | - |
| dc.identifier.issn | 0141-1896 | - |
| dc.identifier.uri | http://hdl.handle.net/10722/358574 | - |
| dc.description.abstract | <p>This study investigates the role of piano fingering in expressing embodied effort in Beethoven’s piano works. By analyzing the use of fingering in scale passages, this research highlights the importance of performers’ physical engagement in generating musical meaning. The examination of didactic treatises, per- forming editions, and recorded performances serves as a means for understanding embodied expression in music. In doing so, this study suggests that piano fingering offers a converging point for theoretical, historical, and empirical perspectives, fostering a more comprehensive understanding of the embodied music experience.<br></p> | - |
| dc.language | eng | - |
| dc.publisher | Taylor and Francis Group | - |
| dc.relation.ispartof | Journal of Musicological Research | - |
| dc.rights | This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. | - |
| dc.title | Piano Fingering and the Embodied Expression of Bodily Effort | - |
| dc.type | Article | - |
| dc.identifier.doi | 10.1080/01411896.2025.2505871 | - |
| dc.identifier.scopus | eid_2-s2.0-105008467131 | - |
| dc.identifier.volume | 44 | - |
| dc.identifier.issue | 1 | - |
| dc.identifier.spage | 72 | - |
| dc.identifier.epage | 99 | - |
| dc.identifier.eissn | 1547-7304 | - |
| dc.identifier.issnl | 0141-1896 | - |