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Article: “Review of ‘Opera for Everyone: The Industry’s Experiments with American Opera in the Digital Age’ (Megan Steigerwald Ille).”

Title“Review of ‘Opera for Everyone: The Industry’s Experiments with American Opera in the Digital Age’ (Megan Steigerwald Ille).”
Authors
Ibanez Garcia, Estela
Issue Date18-Mar-2025
PublisherMilano University Press
Citation
Sound Stage Screen, 2025, v. 4, n. 1, p. 133-143 How to Cite?
DOI: http://dx.doi.org/10.54103/sss28376
Persistent Identifierhttp://hdl.handle.net/10722/362729
ISSN
2784-8949

 

DC FieldValueLanguage
dc.contributor.authorIbanez Garcia, Estela-
dc.date.accessioned2025-09-27T00:35:27Z-
dc.date.available2025-09-27T00:35:27Z-
dc.date.issued2025-03-18-
dc.identifier.citationSound Stage Screen, 2025, v. 4, n. 1, p. 133-143-
dc.identifier.issn2784-8949-
dc.identifier.urihttp://hdl.handle.net/10722/362729-
dc.languageeng-
dc.publisherMilano University Press-
dc.relation.ispartofSound Stage Screen-
dc.rightsThis work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.-
dc.title“Review of ‘Opera for Everyone: The Industry’s Experiments with American Opera in the Digital Age’ (Megan Steigerwald Ille).”-
dc.typeArticle-
dc.identifier.doi10.54103/sss28376-
dc.identifier.volume4-
dc.identifier.issue1-
dc.identifier.spage133-
dc.identifier.epage143-

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