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Article: Self-Sacrifice as an Unwelcome Gift: Subjectivity and Individuality in W. B. Yeats’s Calvary

TitleSelf-Sacrifice as an Unwelcome Gift: Subjectivity and Individuality in W. B. Yeats’s Calvary
Authors
Issue Date31-Dec-2016
Citation
The Yeats Journal of Korea, 2016, v. 51, p. 271-287 How to Cite?
Abstract

This paper analyzes Calvary with the focus on Yeats’s ideas of subjectivityand individuality. The play is part of the Four Plays for Dancers (1921). It wasinspired by Oscar Wilde’s prose poem “Doer of the Good” (1894) and the formaltechniques of Japanese Noh Theatre. The paper examines both the continuities anddiscrepancies between Oscar Wilde and Yeats in their spiritual and aestheticaffiliations and Yeats’s use of Christian imagery, iconography, and narrative relatedto his system of Subjective-Objective antinomy. In exploring the theme ofsubjectivity, the debate between Emmanuel Levinas and Jacques Derrida that centerson the idea of hospitality is deployed to explain the relationship between the Christfigure and the other characters in the play.


Persistent Identifierhttp://hdl.handle.net/10722/369588
ISSN

 

DC FieldValueLanguage
dc.contributor.authorHong, M-
dc.date.accessioned2026-01-28T00:35:20Z-
dc.date.available2026-01-28T00:35:20Z-
dc.date.issued2016-12-31-
dc.identifier.citationThe Yeats Journal of Korea, 2016, v. 51, p. 271-287-
dc.identifier.issn2288-5412-
dc.identifier.urihttp://hdl.handle.net/10722/369588-
dc.description.abstract<p>This paper analyzes Calvary with the focus on Yeats’s ideas of subjectivityand individuality. The play is part of the Four Plays for Dancers (1921). It wasinspired by Oscar Wilde’s prose poem “Doer of the Good” (1894) and the formaltechniques of Japanese Noh Theatre. The paper examines both the continuities anddiscrepancies between Oscar Wilde and Yeats in their spiritual and aestheticaffiliations and Yeats’s use of Christian imagery, iconography, and narrative relatedto his system of Subjective-Objective antinomy. In exploring the theme ofsubjectivity, the debate between Emmanuel Levinas and Jacques Derrida that centerson the idea of hospitality is deployed to explain the relationship between the Christfigure and the other characters in the play.<br></p>-
dc.languageeng-
dc.relation.ispartofThe Yeats Journal of Korea-
dc.rightsThis work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.-
dc.titleSelf-Sacrifice as an Unwelcome Gift: Subjectivity and Individuality in W. B. Yeats’s Calvary-
dc.typeArticle-
dc.identifier.doi10.14354/yjk.2016.51.271-
dc.identifier.volume51-
dc.identifier.spage271-
dc.identifier.epage287-
dc.identifier.issnl1226-4946-

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