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- 61 marchetti, g
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HKU Organizations
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Collection's Items (Sorted by Submit Date in Descending order): 61 to 80 of 776
Title | Author(s) | Issue Date | |
---|---|---|---|
How Not to Acquire Tone: Cross-linguistic Influence in Prosody Proceeding/Conference:International Symposium on Teaching Cantonese as a Second Language | 2019 | ||
China in the Long 1970s: A Social History Proceeding/Conference:1st Workshop, China, Hong Kong, and the Long 1970s in Global Perspective | 2014 | ||
The Silent Revolution Proceeding/Conference:Conference 'Popular Memory of the Mao Era and its Impact on History' | 2014 | ||
The Making of the Cult of Personality in the Twentieth Century Proceeding/Conference:Research Seminar, National University of Singapore | 2016 | ||
The Predicament of a 'Two-Headed Monster' In Family Government: Revisiting Antisuffragism on the Centenary of the Women's Suffrage Amendment Proceeding/Conference:Women's Suffrage Centennial Series, Seattle University | 2020 | ||
The Role of Intuition in Philosophy Proceeding/Conference:2nd Annual Urbino Summer School in Epistemology | 2018 | ||
The Epistemic Status of Intuition Proceeding/Conference:2nd Annual Urbino Summer School in Epistemology | 2018 | ||
Writing practices and ideologies of power: a sociolinguistic study of advertisements in Nigerian Pidgin Proceeding/Conference:Winter Meeting of the Society for Pidgin and Creole Linguistics (SPCL). 2021 | 2021 | ||
Ann Hui and the Law Proceeding/Conference:Law, Literature and the Humanities Association of Australasia Conference 2016 | 2016 | ||
Production for Festival Use: Hong Kong Women Filmmakers, International Circuits, Regional Networks, and Ann Hui’s My Way Proceeding/Conference:Global Storytelling Symposium | 2020 | ||
Using a Massive Open Online Course (MOOC) in a Crisis Proceeding/Conference:HKTEA Teaching Ambassadors Series (HKU) via Zoom | 2020 | ||
The pictorial wit of Qiu Ying's Handscroll painting Proceeding/Conference:Scholar's Day Symposium: The Art of Qiu Ying | 2020 | ||
Music in the Hands: The Convergence of Performance Theory and Music Psychology in History Proceeding/Conference:The Fifth Biennial Meeting of the International Musicological Society Regional Association for East Asia (IMSEA) | 2019 | ||
Women as Cultural Intermediaries within the Chinese Diaspora: The Search for Esther Eng in S. Louisa Wei’s Golden Gate Girls (2013) Proceeding/Conference:The Cultural Intermediaries in the East Asian Film Industries Conference | 2019 | ||
Authentic Digital Assessment: Online Conversations Proceeding/Conference:Half-Day Virtual Forum: Online T&L 2019-2020: The HKU Experience | 2020 | ||
Using a Massive Open Online Course (MOOC) in a Crisis Proceeding/Conference:Teacher Experience Sharing Session, Chinese University of Hong Kong (via Zoom) | 2020 | ||
Pianist as action executer and observer: Fingering in musical communication Proceeding/Conference:Who is the “I” that performs? Enacting Musical Identities Festival & Symposium | 2019 | ||
Banking on Women: Tracing the Shanghai Women’s Commercial & Savings Bank Proceeding/Conference:Business History Conference | 2020 | ||
Embodied Madrigals as Events: From the Renaissance, to the Renaissance of Performers as Interpreters Proceeding/Conference:Music Pours over the Sense: Experimenting with Relationships between Body and Sound as a Transformative Practice Experimental Symposium | 2020 | ||
[v] in Latin American Spanish: Contact, Bilingualism, or Language Internal Change? Proceeding/Conference:The Language and Ecology Conference: Towards a Shared Narrative in Interdisciplinary Research 2019 | 2019 |
Collection's Items (Sorted by Submit Date in Descending order): 61 to 80 of 776