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Title | Author(s) | Issue Date | |
---|---|---|---|
2007 | |||
In/Visible Histories (China): Documentary Film, Historical Memory, Interdisciplinary Inquiry and Community Service, co-written with Karsten Krueger Proceeding/Conference:Annual Conference of the The Asian Media Information and Communication Centre, AMIC 2005 | 2005 | ||
INFERNAL AFFAIRS: Global Markets and Local Politics in Hong Kong Cinema Proceeding/Conference:Annual Conference of Asian Cinema Studies Society | 2005 | ||
Whither (or Wither) Chinese Women’s Films? BAO’BER IN LOVE and THE JADE GODDESS OF MERCY Proceeding/Conference:Conference on 'Whither Film Theory: Boundaries, Frontiers, and Predicament in the Changing Context of Globalization' | 2004 | ||
Martial Arts—North and South: Liu Chia-Liang's Vision of Hung Gar in Shaw Brothers Films Proceeding/Conference:The Centenary of Chinese Cinema: Influence of the Shaw Brothers Conference | 2006 | ||
INFERNAL AFFAIRS: Global Markets and Local Politics in Hong Kong Cinema Proceeding/Conference:Film and Philosophy Conference | 2005 | ||
Global Modernity, Postmodern Singapore, and the Cinema of Eric Khoo Book:Chinese-Language Film: Historiography, Poetics, Politics, eds. Sheldon H. Lu and Yeh Yueh-Yu | 2004 | ||
Pursuits of Hapa-Ness: Kip Fulbeck’s Boyhood Among Ghosts Book:Where the Boys Are: Cinemas of Masculinity and Youth, eds. Murray Pomerance and Frances Gateward | 2004 | ||
On Tsai Ming-Liang’s THE RIVER (1996) Book:Island on the Edge: Taiwan New Cinema and After, eds. Chris Berry and Feii Lu | 2004 | ||
COME DRINK WITH ME—If You Dare: Golden Swallow, King Hu, and the Cold War Proceeding/Conference:'The Film Scene: Cinema, The Arts, and Social Change' Symposium | 2006 | ||
Using Film and Video to Teach about Asians and Asian Americans Across the
Curriculum Book:Teaching Ethnic Diversity with Film: Essays and Resources for Educators in History, Social Studies, Literature and Film Studies | 2006 | ||
2006 | |||
Editor(s):Marchetti, G | 2005 | ||
From Fu Manchu to M. BUTTERFLY and IRMA VEP: Cinematic Incarnations of the Chinese Villain Book:Bad: Infamy, Darkness, Evil and Slime on Screen, ed. Murray Pomerance | 2004 | ||
Bollyworld:Popular Indian Cinema through a Transnational Lens Journal:Asian Journal of Communication | 2006 | ||
Hollywood/Taiwan: Connections, Countercurrents, and Ang Lee’s HULK Journal:Film Appreciation Journal (電影欣賞) | 2004 | ||
Taiwanese Triads in the Transnational Imagination: MAHJONG and GOODBYE SOUTH, GOODBYE Journal:Film International: journal of world cinema | 2004 | ||
Hollywood/Taiwan: Connections, Countercurrents, and Ang Lee’s HULK Journal:Film International: journal of world cinema | 2004 | ||
Whither (or Wither) Chinese Women’s Films? BAO’BER IN LOVE and THE JADE GODDESS OF MERCY Journal:World Cinema (translated into Chinese) | 2005 | ||
Guests at the WEDDING BANQUET: The Cinema of the Chinese Diaspora and the Rise of the American Independents Book:Contemporary American Independent Film: From the Margins to the Mainstream | 2006 |