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| Title | Author(s) | Issue Date | Views | |
|---|---|---|---|---|
Who speaks for the Lion Rock? Pro-Cantonese Campaign (or Lack Thereof) in Hong Kong Proceeding/Conference:Online Civil Unrest Workshop | 2016 | |||
Between China and the World: Hong Kong Studies as Method Proceeding/Conference:Many Different Shores: Hong Kong Connections across the South-/East Asian Sinosphere International Workshop | 2016 | 37 | ||
Johnnie To’s Northern Expedition: From Milkyway Image to Drug War Proceeding/Conference:Annual London Film and Media Conference | 2014 | |||
Humanities - Hong Kong: Inheritance, Transmission and Momentum Proceeding/Conference:The 2nd Hong Kong Undergraduate Academic Conference = 第二屆大學生人文學術研討會 (UAC) | 2018 | 42 | ||
Hong Kong Studies: A Humanities Perspective Proceeding/Conference:Inaugural Forum: What is Hong Kong Studies? Paradigms, Perspectives and Puzzles | 2018 | |||
'1970s Hong Kong' Proceeding/Conference:The Inter-Asia Popular Music Studies Conference (IAPMS) | 2016 | 36 | ||
On speaking (up for) Cantonese as Hong Kong cultural identity Proceeding/Conference:Annual Conference of the Association for Asian Studies, AAS 2016 | 2016 | 59 | ||
Empowering Hong Kong cinema in the Age of Co-productions Proceeding/Conference:Asian Conference on Arts and Humanities, ACAH 2015 | 2015 | |||
Before the Screen, Behind the Curtains: Ye Si and Postcolonial Culture Proceeding/Conference:Zürich Meets Hong Kong: A Festival of Two Cities | 2017 | 28 | ||
The Represenations of China in Hong Kong Popular Lyrics Proceeding/Conference:Hong Kong Literature and Culture Seminar Series, Hong Kong Polytechnic University | 2017 | 55 | ||
Between postcolonialities: Hong Kong’s postcolonial self-writing reconsidered Proceeding/Conference:Colloquium and Workshop on Siting Postcoloniality | 2015 | 266 | ||
Inter-Asia Pop Webinar: Teresa Teng Proceeding/Conference:Inter-asia Popular Music Studies Group Webinar | 2020 | 9 | ||
Ten Critical Years in the History of Hong Kong Cantopop Proceeding/Conference:Zaobao Literary Festival, Singapore | 2018 | |||
Toward a New Hong Kong Cinema: Beyond Mainland-Hong Kong Co-productions Proceeding/Conference:Inter-Asia Cultural Studies (IACS) Conference | 2013 | 52 | ||
Hong Kong (Studies) as Method Proceeding/Conference:Conference on Hong Kong Betwixt and Between | 2014 | 17 | ||
The Rise of Asia and the End of It as Method? Proceeding/Conference:AAS-in-Asia Conference | 2019 | 19 | ||
The Lives of Cantopop Proceeding/Conference:Public Seminar on Cantopop, Hong Kong Studies Initiative, University of British Columbia | 2017 | |||
Between Mainlandization and Glocalization: Hong Kong Cinema’s Mission (Im)possible Proceeding/Conference:The Fifth Global Creative Industries Conference, 2019 | 2019 | 13 | ||
Hong Kong Studies as Method Proceeding/Conference:Crossroads in Cultural Studies Conference 2016, Sydney University | 2016 | |||
Ya Si and Hong Kong Studies Proceeding/Conference:International Conference on Hong Kong and the World through Leung Ping Kwan | 2015 | |||
Hong Kong Cantopop: Sonic Memories and Political Identities Proceeding/Conference:World Music Day Online Round Table | 2020 | 11 | ||
Cantopopsibility: Reflections on the Crisis of Cantopop as a Creative Industry Proceeding/Conference:The Global Creative Industries Conference = 全球創意產業研討會 | 2015 | 106 | ||
Main Melody, Soft Power and Chinese Cinema Proceeding/Conference:China and the World: Language, Culture, Politics International Conference | 2019 | 19 | ||
Reimagining Cultures: The Inheritance and Transmission of Hong Kong Popular Culture Proceeding/Conference:Cultural Studies Annual Conference: Cultures Among Us, Taiwan, 2018 | 2018 | 11 | ||
Cantopop in Mainland China: How Can I Forget You? Proceeding/Conference:The Inter-Asia Popular Music Studies Conference | 2018 | 115 |