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Title | Author(s) | Issue Date | Views | |
---|---|---|---|---|
High and Low: Music as Anamorphic Spot Proceeding/Conference:The Film Scene: International Conference on Cinema | 2006 | 99 | ||
Hearing in': Film Music and the Myth of Subliminal Perception Proceeding/Conference:Central Conservatory of Music Conference | 2005 | 133 | ||
In the Days of the Travelling Tram: An Example of Applying Extension Techniques on Melodic Writing Proceeding/Conference:National Conference of Melody Studies | 2000 | |||
Melodrama and Its Aura: Godard's 'Contempt' Proceeding/Conference:American Musicological Society Conference, AMS 2004 | 2004 | 124 | ||
Film Music as Epistemological Joke Proceeding/Conference:Music and its Spheres, a Symposium in Honor of Nicholas Cook | 2006 | 135 | ||
Unknown journey: composition for stereophonic tape Proceeding/Conference:International Society for Contemporary Music World Music Days Festival/Conference, | 1995 | 99 | ||
Beethoven and the Chains of Freedom: Adorno's Empty Moment Proceeding/Conference:Research Colloquia | 2004 | |||
Music as the theological mouthpiece of modernity: from Vincenzo Galilei to the Early Romantics Proceeding/Conference:Meeting of Theology and Music Colloquium | 2004 | 46 | ||
Film Music as Conjuring: Revisiting the Question of Perceptual Ambiguity Proceeding/Conference:Society for Cinema Studies Conference | 2005 | 123 | ||
Looking into the Mirror: A (Preliminary) Descriptive Analysis of the Past Programs of IMSEA 2011–2022. Proceeding/Conference:21st Quinquennial Congress of the International Musicological Society (22/08/2022-26/08/2022, , , National and Kapodistrian University of Athens, Athens, Greece) | 24-Aug-2022 |