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Title | Author(s) | Issue Date | |
---|---|---|---|
<文學研究與文化研究之間> (co-authored with Stephen Chu) Book:Hong Kong Literature as/and Cultural Studies <<香港文學@文化研究>> (co-edited with Stephen Chu) | 2001 | ||
Introduction: Gendered and Sexualized Bodies in Hong Kong Cinema' Book:Between Home and World: A Reader in Hong Kong Cinema | 2004 | ||
Faulkner and Modernism: History and Subjectivity in Absalom, Absalom! Book:In:Tao J. (ed.), Faulkner: Achievement and Endurance | 1998 | ||
回歸之旅:八十年代以來香港流行曲中的家國情 Book:in 陳清僑編 (ed.) 情感的實踐: 香港流行歌詞研究 | 1999 | ||
情陷星爺與狐狸洞洞主 Book:<<我是一個演員:周星馳文化解讀>>陳婉瑩主騙 | 2004 | ||
No marriage in heaven: John Donne, Anne Donne and the kingdom come Book:In: Haster M.T. (ed.), John Donne's 'Desire of More': The Subject of Anne More Donne in His Poetry | 1995 | ||
Global Modernity, Postmodern Singapore, and the Cinema of Eric Khoo Book:Chinese-Language Film: Historiography, Poetics, Politics, eds. Sheldon H. Lu and Yeh Yueh-Yu | 2004 | ||
Reading the Hong Kong Trauma in Wayne Wang's Chinese Box Book:Before and After Suzie: Hong Kong in Western Film and Literature | 2001 | ||
Pursuits of Hapa-Ness: Kip Fulbeck’s Boyhood Among Ghosts Book:Where the Boys Are: Cinemas of Masculinity and Youth, eds. Murray Pomerance and Frances Gateward | 2004 | ||
Introduction: Between Home and World' Book:Between Home and World: A Reader in Hong Kong | 2004 | ||
No Marriage in Heaven: John Donne, Anne Donne, and the Kingdom Come' Book:John Donne's 'desire of more': The Subject of Anne Donne in His Poetry | 1997 | ||
Reading Everlasting Regret: The Urban Vantage Point in Literature and Film (in Chinese) Book:East Asian Culture and Modern Literature in Chinese | 2006 | ||
我們為何?習電影 Book:電影花火 | 2005 | ||
On Tsai Ming-Liang’s THE RIVER (1996) Book:Island on the Edge: Taiwan New Cinema and After, eds. Chris Berry and Feii Lu | 2004 | ||
<[雅]與[俗] - 引言> Book:Hong Kong Literature as/and Cultural Studies <<香港文學@文化研究>> | 2001 | ||
文化建制與知識政治:反思嚴肅與流行之別 Book:in 陳清僑編 (ed.) 文化想像與意識形態 | 1999 | ||
Durasie: Women, Natives, and Other Book:Revisioning Duras: Film, Race, Sex | 2000 | ||
Voices of Negotiation in Late Twentieth Century Hong Kong Literature' Book:The Columbia Companion to Modern Asian Literature | 2003 | ||
上下求索、星火燎原(代序) Book:電影花火 | 2005 | ||
The City That Haunts: The Uncanny in Fruit Chan's Mad in Hong Kong' Book:Between Home and World: A Reader in Hong Kong Cinema | 2003 | ||
流徙與家國想像:五、六十年代香港文學中的國族認同 Book:in 陳清僑編 (ed.) 文化多面睇 | 1999 | ||
Introduction: Cinema and the City at a Moment of Danger' Book:Between Home and World: A Reader in Hong Kong Cinema | 2004 | ||
Using Film and Video to Teach about Asians and Asian Americans Across the
Curriculum Book:Teaching Ethnic Diversity with Film: Essays and Resources for Educators in History, Social Studies, Literature and Film Studies | 2006 | ||
All by Myself or All in the family? The question of uncanny identity in Maxine Hong Kingston's The Woman Warrior Book:Appropriate(d) Narratives: Autobiographical Strategies for Writing the Self | 2000 | ||
Portrait of a Young Woman as a Coloniale Book:Empire And Culture | 2004 |