|
inferior frontal gyrus |
2 |
|
19th-century theories of music |
1 |
|
adult |
1 |
|
afterimage |
1 |
|
aftersound |
1 |
|
cognition |
1 |
|
continuity |
1 |
|
controlled study |
1 |
|
disability |
1 |
|
effective connectivity |
1 |
|
extended cognition |
1 |
|
eye movement |
1 |
|
female |
1 |
|
glennie |
1 |
|
gustav fechner |
1 |
|
hand |
1 |
|
hearing |
1 |
|
history |
1 |
|
history of music psychology |
1 |
|
hugo riemann |
1 |
|
human |
1 |
|
human/machine interface |
1 |
|
johann friedrich herbart |
1 |
|
linearized time-delayed mutual information |
1 |
|
listening |
1 |
|
magnetoencephalography |
1 |
|
motion |
1 |
|
moving and performing body |
1 |
|
multidisciplinarity |
1 |
|
music |
1 |
|
music and mind |
1 |
|
music and the body |
1 |
|
music theory |
1 |
|
musical brain and psyche |
1 |
|
musicking body |
1 |
|
perceptual ambiguity |
1 |
|
performance theory |
1 |
|
performer |
1 |
|
piano pedagogy |
1 |
|
psychology of music |
1 |
|
syntactic irregularity |
1 |
|
tonvorstellungen |
1 |
