File Download
Supplementary
-
Citations:
- Appears in Collections:
Conference Paper: Urban imaginaries: the framing of China trade paintings
Title | Urban imaginaries: the framing of China trade paintings |
---|---|
Authors | |
Issue Date | 2013 |
Citation | The 2013 Conference on Face to Face: The Transcendence of the Arts in China and Beyond, Faculty of Fine Arts, The University of Lisbon, Lisboa, Portugal, 3-5 April 2013. How to Cite? |
Abstract | Qing Canton was a city of international trade attracting visitors and merchants who have left behind traces of their experiences in this intercultural port city. They wrote of the curious sounds and sights and purchased mementos and curios for themselves, as gifts, as merchandise, and fuelled a growing market in exotic wares that were neither wholly Chinese nor western. This type of objects, grouped under the rebus of 'China Trade' included paintings that recorded sights of people and places, offering a visual counterpart to their writings. But how was the image of Canton constr... |
Description | Panel: The artistic exchange in Late imperial China |
Persistent Identifier | http://hdl.handle.net/10722/188198 |
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Koon, YW | en_US |
dc.date.accessioned | 2013-08-21T07:45:31Z | - |
dc.date.available | 2013-08-21T07:45:31Z | - |
dc.date.issued | 2013 | en_US |
dc.identifier.citation | The 2013 Conference on Face to Face: The Transcendence of the Arts in China and Beyond, Faculty of Fine Arts, The University of Lisbon, Lisboa, Portugal, 3-5 April 2013. | en_US |
dc.identifier.uri | http://hdl.handle.net/10722/188198 | - |
dc.description | Panel: The artistic exchange in Late imperial China | - |
dc.description.abstract | Qing Canton was a city of international trade attracting visitors and merchants who have left behind traces of their experiences in this intercultural port city. They wrote of the curious sounds and sights and purchased mementos and curios for themselves, as gifts, as merchandise, and fuelled a growing market in exotic wares that were neither wholly Chinese nor western. This type of objects, grouped under the rebus of 'China Trade' included paintings that recorded sights of people and places, offering a visual counterpart to their writings. But how was the image of Canton constr... | - |
dc.language | eng | en_US |
dc.relation.ispartof | Conference on Face to Face: The Transcendence of the Arts in China and Beyond | en_US |
dc.title | Urban imaginaries: the framing of China trade paintings | en_US |
dc.type | Conference_Paper | en_US |
dc.identifier.email | Koon, YW: koonyw@hkucc.hku.hk | en_US |
dc.identifier.authority | Koon, YW=rp01183 | en_US |
dc.description.nature | link_to_OA_fulltext | - |
dc.identifier.hkuros | 218620 | en_US |