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	Title	Author(s)	Issue Date
	Bruce Lee's Heroic Kung Fu Voice: Overcoming Linguistic Racism and the Necessity of 'White Voice' in Enter the Dragon Proceeding/Conference:Society for Cinema and Media Studies (SCMS) Virtual Conference, 2021	Magnan-Park, AHJ	2021
	Wang Cottage, West Lake: The Qin in Changing Modern China Proceeding/Conference:2018 East Asia Music Forum	Yang, Y	2018
	The Seven-stringed Qin Excavated from the Grave of the first Marquis of Haihun, Western Han Dynasty Proceeding/Conference:Cheung Sai Bun and Chinese Music: A Colloquium	Yang, YYang, J	2018
	An Artist and His Patrons: Qin Player Yang Jijing and the Cultural Elite in Early Sixteenth Century Suzhou Proceeding/Conference:Harmony and Power: The Role of Music in the Cultivation of the Literati in Ancient China Conference	Yang, Y	2018
	Typological Analysis of the Chinese Qin in the Late Bronze Age Proceeding/Conference:The 45th ICTM (International Council for Traditional Music) World Conference	Yang, Y	2019
	The Qin Excavated from the Tomb of Liu He, 59 BCE Proceeding/Conference:The 48th Annual Meeting of the American Musical Instrument Society	Yang, Y	2019
	Wangjang, Seoho: byeonhwahaneun geunhyeondae Jung-gug-ui gogeum Proceeding/Conference:2018 Dong-asia Eum-ag Poleom	Yang, Y Park, JH	2018
	How Not to Acquire Tone: Cross-linguistic Influence in Prosody Proceeding/Conference:International Symposium on Teaching Cantonese as a Second Language	Matthews, SJ	2019
	China in the Long 1970s: A Social History Proceeding/Conference:1st Workshop, China, Hong Kong, and the Long 1970s in Global Perspective	Dikotter, F	2014
	The Silent Revolution Proceeding/Conference:Conference 'Popular Memory of the Mao Era and its Impact on History'	Dikotter, F	2014
	The Making of the Cult of Personality in the Twentieth Century Proceeding/Conference:Research Seminar, National University of Singapore	Dikotter, F	2016
	The Predicament of a 'Two-Headed Monster' In Family Government: Revisiting Antisuffragism on the Centenary of the Women's Suffrage Amendment Proceeding/Conference:Women's Suffrage Centennial Series, Seattle University	Bowes, JC	2020
	Production for Festival Use: Hong Kong Women Filmmakers, International Circuits, Regional Networks, and Ann Hui’s My Way Proceeding/Conference:Global Storytelling Symposium	Marchetti, G	2020
	Using a Massive Open Online Course (MOOC) in a Crisis Proceeding/Conference:HKTEA Teaching Ambassadors Series (HKU) via Zoom	Marchetti, G	2020
	The pictorial wit of Qiu Ying's Handscroll painting Proceeding/Conference:Scholar's Day Symposium: The Art of Qiu Ying	Koon, YW	2020
	Music in the Hands: The Convergence of Performance Theory and Music Psychology in History Proceeding/Conference:The Fifth Biennial Meeting of the International Musicological Society Regional Association for East Asia (IMSEA)	Kim, Y	2019
	Women as Cultural Intermediaries within the Chinese Diaspora: The Search for Esther Eng in S. Louisa Wei’s Golden Gate Girls (2013) Proceeding/Conference:The Cultural Intermediaries in the East Asian Film Industries Conference	Marchetti, G	2019
	Authentic Digital Assessment: Online Conversations Proceeding/Conference:Half-Day Virtual Forum: Online T&L 2019-2020: The HKU Experience	Marchetti, G	2020
	Using a Massive Open Online Course (MOOC) in a Crisis Proceeding/Conference:Teacher Experience Sharing Session, Chinese University of Hong Kong (via Zoom)	Marchetti, G	2020
	Pianist as action executer and observer: Fingering in musical communication Proceeding/Conference:Who is the “I” that performs? Enacting Musical Identities Festival & Symposium	Kim, Y	2019