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Conference Paper: Lean In or Bend Over? American Feminism and Hong Kong’s WONDER WOMEN
| Title | Lean In or Bend Over? American Feminism and Hong Kong’s WONDER WOMEN |
|---|---|
| Authors | |
| Issue Date | 2015 |
| Citation | The 2015 American Film Studies Conference by the Fulbright Scholars, Hong Kong, 30-31 May 2015. How to Cite? |
| Abstract | Films made by Hong Kong women in America have not received the same attention scholars have given to their male peers such as Wayne Wang, Ronny Yu, Evans Chan, John Woo, Wong Kar-Wai, Peter Chan, and Tsui Hark. However, this is gradually changing, and there have been significant studies of Hong Kong Second Wave directors in America, such as Clara Law and Mabel Cheung, including Staci Ford’s HKUP monograph on Cheung’s AN AUTUMN’S TALE, set in New York City. The connections of other notable women directors such as Tang Shu-Shuen and Angie Chen to the United States have also been documented. However, women in the younger generation of Hong Kong filmmakers, who are part of what Mirana Szeto has called the “HKSAR New Wave,” have been neglected. In fact, many in this … |
| Description | Conference Theme: East Goes West - Chinese Filmmakers in the United States |
| Persistent Identifier | http://hdl.handle.net/10722/213713 |
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Marchetti, G | - |
| dc.date.accessioned | 2015-08-12T07:47:40Z | - |
| dc.date.available | 2015-08-12T07:47:40Z | - |
| dc.date.issued | 2015 | - |
| dc.identifier.citation | The 2015 American Film Studies Conference by the Fulbright Scholars, Hong Kong, 30-31 May 2015. | - |
| dc.identifier.uri | http://hdl.handle.net/10722/213713 | - |
| dc.description | Conference Theme: East Goes West - Chinese Filmmakers in the United States | - |
| dc.description.abstract | Films made by Hong Kong women in America have not received the same attention scholars have given to their male peers such as Wayne Wang, Ronny Yu, Evans Chan, John Woo, Wong Kar-Wai, Peter Chan, and Tsui Hark. However, this is gradually changing, and there have been significant studies of Hong Kong Second Wave directors in America, such as Clara Law and Mabel Cheung, including Staci Ford’s HKUP monograph on Cheung’s AN AUTUMN’S TALE, set in New York City. The connections of other notable women directors such as Tang Shu-Shuen and Angie Chen to the United States have also been documented. However, women in the younger generation of Hong Kong filmmakers, who are part of what Mirana Szeto has called the “HKSAR New Wave,” have been neglected. In fact, many in this … | - |
| dc.language | eng | - |
| dc.relation.ispartof | American Film Studies Conference by the Fulbright Scholars | - |
| dc.title | Lean In or Bend Over? American Feminism and Hong Kong’s WONDER WOMEN | - |
| dc.type | Conference_Paper | - |
| dc.identifier.email | Marchetti, G: marchett@hkucc.hku.hk | - |
| dc.identifier.authority | Marchetti, G=rp01177 | - |
| dc.description.nature | postprint | - |
| dc.identifier.hkuros | 248215 | - |