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Book: Imperial Benevolence: U.S. Foreign Policy and American Popular Culture since 9/11
Title | Imperial Benevolence: U.S. Foreign Policy and American Popular Culture since 9/11 |
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Editors | |
Issue Date | 2018 |
Publisher | University of California Press. |
Citation | Gruenewald, T & Laderman, S (Eds.). Imperial Benevolence: U.S. Foreign Policy and American Popular Culture since 9/11. Oakland, CA: University of California Press. 2018 How to Cite? |
Abstract | This is a necessary and urgent read for anyone concerned about the United States' endless wars. Investigating multiple genres of popular culture alongside contemporary U.S. foreign policy and political economy, Imperial Benevolence shows that American popular culture continuously suppresses awareness of U.S. imperialism while assuming American exceptionalism and innocence. This is despite the fact that it is rarely a product of the state. Expertly coordinated essays by prominent historians and media scholars address the ways that movies and television series such as Zero Dark Thirty, The Avengers, and even The Walking Dead, as well as video games such as Call of Duty: Black Ops, have largely presented the United States as a global force for good. Popular culture, with few exceptions, has depicted the U.S. as a reluctant hegemon fiercely defending human rights and protecting or expanding democracy from the barbarians determined to destroy it. |
Persistent Identifier | http://hdl.handle.net/10722/264555 |
ISBN |
DC Field | Value | Language |
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dc.contributor.editor | Gruenewald, T | - |
dc.contributor.editor | Laderman, S | - |
dc.date.accessioned | 2018-10-22T07:56:55Z | - |
dc.date.available | 2018-10-22T07:56:55Z | - |
dc.date.issued | 2018 | - |
dc.identifier.citation | Gruenewald, T & Laderman, S (Eds.). Imperial Benevolence: U.S. Foreign Policy and American Popular Culture since 9/11. Oakland, CA: University of California Press. 2018 | - |
dc.identifier.isbn | 9780520299184 | - |
dc.identifier.uri | http://hdl.handle.net/10722/264555 | - |
dc.description.abstract | This is a necessary and urgent read for anyone concerned about the United States' endless wars. Investigating multiple genres of popular culture alongside contemporary U.S. foreign policy and political economy, Imperial Benevolence shows that American popular culture continuously suppresses awareness of U.S. imperialism while assuming American exceptionalism and innocence. This is despite the fact that it is rarely a product of the state. Expertly coordinated essays by prominent historians and media scholars address the ways that movies and television series such as Zero Dark Thirty, The Avengers, and even The Walking Dead, as well as video games such as Call of Duty: Black Ops, have largely presented the United States as a global force for good. Popular culture, with few exceptions, has depicted the U.S. as a reluctant hegemon fiercely defending human rights and protecting or expanding democracy from the barbarians determined to destroy it. | - |
dc.language | eng | - |
dc.publisher | University of California Press. | - |
dc.title | Imperial Benevolence: U.S. Foreign Policy and American Popular Culture since 9/11 | - |
dc.type | Book | - |
dc.identifier.email | Gruenewald, T: tgruene@hku.hk | - |
dc.identifier.authority | Gruenewald, T=rp01651 | - |
dc.identifier.hkuros | 294683 | - |
dc.identifier.spage | 1 | - |
dc.identifier.epage | 288 | - |
dc.publisher.place | Oakland, CA | - |