File Download
There are no files associated with this item.
Supplementary
-
Citations:
- Appears in Collections:
Conference Paper: Documenting Sexual Citizenship in the HKSAR: Evans Chan’s Raise the Umbrellas (2016)
Title | Documenting Sexual Citizenship in the HKSAR: Evans Chan’s Raise the Umbrellas (2016) |
---|---|
Authors | |
Issue Date | 2018 |
Publisher | Hong Kong Baptist University. |
Citation | Documentary Film, Regional, Theoretical and Political Parameters, Hong Kong, 25-27 June 2018 How to Cite? |
Abstract | In 1998, Jeffrey Weeks published an article entitled “The Sexual Citizen” in the journal Theory, Culture and
Society. In it, he notes the importance of the conjuncture of the traditionally private realms of gender and
sexuality, subjectivity, and erotic identity with the public rights of citizenship including access to public
space, free assembly, equal accommodation, and, of course, full suffrage. During Hong Kong’s 2014 Umbrella
Movement, a broad coalition of political groups and individuals banded together to occupy the territory’s
streets to protest the Chinese Central Government’s interpretation of the HKSAR’s Basic Law. The issue
that divided families and communities involved the question of universal suffrage and restrictions on the
right to run and hold public office. Local and international media galvanized attention on the mass protests,
and scholars have begun to analyze the movement from various perspectives. However, although LGBTQ
and feminist organizations as well as individual women played significant roles in the demonstrations, a full
accounting of the importance of these sexual citizens to Hong Kong’s political development has yet to be done.
Films made after the 2014 protests that reflect on the movement and its impact provide a starting point for
this analysis of intersectional activism within the Umbrella Movement. Evans Chan’s documentary RAISE THE
UMBRELLAS stands out in this regard because it devotes considerable screen time to Anthony Wong and
Denise Ho, two popular entertainers who openly advocate for gender and sexual equality, involved in the
movement. Collaborating with female cinematographers, including Nate Chan and Nora Lam, who, individually
made their own films about the demonstrations, Evans Chan highlights the importance of the rights of women
and sexual minorities to the struggle for suffrage and self-determination in Hong Kong. This analysis of
RAISE THE UMBRELLAS attempts to tease out the role sexual citizenship plays in calls for suffrage to better
appreciate the importance of feminist and LGBTQ perspectives to the forging of democracy in Asia. |
Description | Panel 2: Dcoumentary Film and the Protest Movements |
Persistent Identifier | http://hdl.handle.net/10722/264560 |
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Marchetti, G | - |
dc.date.accessioned | 2018-10-22T07:56:59Z | - |
dc.date.available | 2018-10-22T07:56:59Z | - |
dc.date.issued | 2018 | - |
dc.identifier.citation | Documentary Film, Regional, Theoretical and Political Parameters, Hong Kong, 25-27 June 2018 | - |
dc.identifier.uri | http://hdl.handle.net/10722/264560 | - |
dc.description | Panel 2: Dcoumentary Film and the Protest Movements | - |
dc.description.abstract | In 1998, Jeffrey Weeks published an article entitled “The Sexual Citizen” in the journal Theory, Culture and Society. In it, he notes the importance of the conjuncture of the traditionally private realms of gender and sexuality, subjectivity, and erotic identity with the public rights of citizenship including access to public space, free assembly, equal accommodation, and, of course, full suffrage. During Hong Kong’s 2014 Umbrella Movement, a broad coalition of political groups and individuals banded together to occupy the territory’s streets to protest the Chinese Central Government’s interpretation of the HKSAR’s Basic Law. The issue that divided families and communities involved the question of universal suffrage and restrictions on the right to run and hold public office. Local and international media galvanized attention on the mass protests, and scholars have begun to analyze the movement from various perspectives. However, although LGBTQ and feminist organizations as well as individual women played significant roles in the demonstrations, a full accounting of the importance of these sexual citizens to Hong Kong’s political development has yet to be done. Films made after the 2014 protests that reflect on the movement and its impact provide a starting point for this analysis of intersectional activism within the Umbrella Movement. Evans Chan’s documentary RAISE THE UMBRELLAS stands out in this regard because it devotes considerable screen time to Anthony Wong and Denise Ho, two popular entertainers who openly advocate for gender and sexual equality, involved in the movement. Collaborating with female cinematographers, including Nate Chan and Nora Lam, who, individually made their own films about the demonstrations, Evans Chan highlights the importance of the rights of women and sexual minorities to the struggle for suffrage and self-determination in Hong Kong. This analysis of RAISE THE UMBRELLAS attempts to tease out the role sexual citizenship plays in calls for suffrage to better appreciate the importance of feminist and LGBTQ perspectives to the forging of democracy in Asia. | - |
dc.language | eng | - |
dc.publisher | Hong Kong Baptist University. | - |
dc.relation.ispartof | Documentary Film, Regional, Theoretical and Political Parameters | - |
dc.title | Documenting Sexual Citizenship in the HKSAR: Evans Chan’s Raise the Umbrellas (2016) | - |
dc.type | Conference_Paper | - |
dc.identifier.email | Marchetti, G: marchett@hkucc.hku.hk | - |
dc.identifier.authority | Marchetti, G=rp01177 | - |
dc.identifier.hkuros | 294512 | - |
dc.publisher.place | Hong Kong | - |