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Results 1-25 of 309 (Search time: 0.045 seconds).

TitleAuthor(s)Issue DateViews
 
Re-Thinking Women in Chinese-Language Film History through Global Networks
Proceeding/Conference:Re-Thinking Chinese Language Film History
2018
 
Taking Suffrage Seriously: Hong Kong Women Media Artists, Digital Democracy, and the 2014 Umbrella Movement
Proceeding/Conference:International Workshop on Women’s Filmmaking and Feminist Criticism in the Digital Era
2017
A hybrid approach to Chinese abbreviation expansion
Proceeding/Conference:Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics)
2006
78
 
Writing The Riverscape: The Representation Of Nature In Su Tong's "The Boat To Redemption" (2009)
Proceeding/Conference:Bi-annual Crossroads in Cultural Studies Conference, Crossroads 2012
2012
 
Animalscape and the Condition of Existence in Jia Zhangke’s Two Films
Proceeding/Conference:Asian Studies Association of Australia 2018 Biennial Conference
2018
47
 
Jeong Chang-Hwa: the forgotten director of Hong Kong Action Cinema
Proceeding/Conference:Korean Cine-Media and the Transnational Conference
2010
35
 
“Cultural studies in Illiberal Times.”
Proceeding/Conference:Annual International Conference on Contemporary Cultural Studies (CCS)
2016
37
 
Globalization, China, Theory, After Covid-19
Proceeding/Conference:Webinar, School of Marxism, South East University
2020
5
 
Chinese cinematic cities in the midst of destruction and consturction
Proceeding/Conference:Chinese Cinemas and Global Modernity Seminar Series 2009
2009
Hong Kong SAR new wave as part of a regional filmic response to neoliberalization
Proceeding/Conference:International Convention of Asia Scholars, ICAS-8
2013
32
 
Maoist Discourse, Historical Breaks, and Liberalism's Vengeance
Proceeding/Conference:International Workshop on Culture and Social Transformation
2009
87
 
Chinese Women Filmmakers in 21st Century America: Lulu Wang’s The Farewell (2019)
Proceeding/Conference:100 Years of Chinese Film & Screen: Past, Present, and Futures Conference, University of Nottingham Ningbo China (UNNC)
2021
11
 
A future in the past? Claiming national time and memory in HK Action Cinema
Proceeding/Conference:Conference of the Asia Cinema Studies Society, ACSS 2012
2012
29
 
2014
36
 
Transborder
Proceeding/Conference:Workshop on Hong Kong Keywords: A Vocabulary of Hong Kong Theory
2016
52
 
Polluted landscape: photographs of post-socialist China by Edward Burtynsky and Lu Guang
Proceeding/Conference:Biennial Conference of the Association for the Study of Literature and Environment, ASLE 2015
2015
64
 
The Cinematic Politics of LUST, CAUTION?
Proceeding/Conference:International Symposium on 'Eileen Chang: Romancing Two Cultures'
2009
133
 
Liberalism, Illiberalism, & the Politics of Knowledge: The PRC in the Global Conjuncture
Proceeding/Conference:Thought and Cultural Security Workshop
2017
33
 
Asian Citation: Postmodernism, Politics and Global Cinema
Proceeding/Conference:Busan Cinema Forum
2011
16
 
2008
99
 
Women as Cultural Intermediaries within the Chinese Diaspora: The Search for Esther Eng in S. Louisa Wei’s Golden Gate Girls (2013)
Proceeding/Conference:The Cultural Intermediaries in the East Asian Film Industries Conference
2019
 
Women occupy Hong Kong screens: feminism, media activism, and the Umbrella Moment
Proceeding/Conference:Symposium on the Gendered Politics of Production: Girls and Women as Media Producers
2015
44
 
Towards a Queer Feminist Sense Method: Protest and the Politics of Intersectionality in Hong Kong
Proceeding/Conference:Multisensory Dissent and Alliance Building: The Inaugural Conference of the Society of Sinophone Studies
2021
9
 
Awareness and Attention
Proceeding/Conference:Mind Mini-Conference of The University of Hong Kong
2008
146
 
Umbrella Femmes
Proceeding/Conference:Umbrella Forum 2
2015
30