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- 74 marchetti, g
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Collection's Items (Sorted by Submit Date in Descending order): 121 to 140 of 1039
Title | Author(s) | Issue Date | |
---|---|---|---|
Feminism and the Girl in the People’s Republic of China: Hooligan Sparrow (Nanfu Wang, 2016) Proceeding/Conference:Child and Nation in the Context of World Cinema Symposium | 2017 | ||
Brain networks underlying orthographic, phonological and semantic processing of Chinese characters Proceeding/Conference:Organization for Human Brain Mapping (OHBM) Annual Meeting, Online Virtual Meeting, 2020 | 2020 | ||
Within-subject design reveals converging cortical regions for orthographic, phonological and semantic processing in Chinese reading Proceeding/Conference:Society for the Neurobiology of Language (SNL) 2020 Annual Meeting | 2020 | ||
Production for Festival Use: Hong Kong Women Filmmakers, International Circuits, Regional Networks, and Ann Hui’s My Way Proceeding/Conference:Global Storytelling Symposium | 2020 | ||
Using a Massive Open Online Course (MOOC) in a Crisis Proceeding/Conference:HKTEA Teaching Ambassadors Series (HKU) via Zoom | 2020 | ||
The pictorial wit of Qiu Ying's Handscroll painting Proceeding/Conference:Scholar's Day Symposium: The Art of Qiu Ying | 2020 | ||
Music in the Hands: The Convergence of Performance Theory and Music Psychology in History Proceeding/Conference:The Fifth Biennial Meeting of the International Musicological Society Regional Association for East Asia (IMSEA) | 2019 | ||
Women as Cultural Intermediaries within the Chinese Diaspora: The Search for Esther Eng in S. Louisa Wei’s Golden Gate Girls (2013) Proceeding/Conference:The Cultural Intermediaries in the East Asian Film Industries Conference | 2019 | ||
Authentic Digital Assessment: Online Conversations Proceeding/Conference:Half-Day Virtual Forum: Online T&L 2019-2020: The HKU Experience | 2020 | ||
Using a Massive Open Online Course (MOOC) in a Crisis Proceeding/Conference:Teacher Experience Sharing Session, Chinese University of Hong Kong (via Zoom) | 2020 | ||
Pianist as action executer and observer: Fingering in musical communication Proceeding/Conference:Who is the “I” that performs? Enacting Musical Identities Festival & Symposium | 2019 | ||
Banking on Women: Tracing the Shanghai Women’s Commercial & Savings Bank Proceeding/Conference:Business History Conference | 2020 | ||
Plague, 'Pests', and the Natural World in Singapore and Malaya, c. 1890s to 1930s Proceeding/Conference:Fourteenth Singapore Graduate Forum on Southeast Asian Studies | 2019 | ||
Embodied Madrigals as Events: From the Renaissance, to the Renaissance of Performers as Interpreters Proceeding/Conference:Music Pours over the Sense: Experimenting with Relationships between Body and Sound as a Transformative Practice Experimental Symposium | 2020 | ||
[v] in Latin American Spanish: Contact, Bilingualism, or Language Internal Change? Proceeding/Conference:The Language and Ecology Conference: Towards a Shared Narrative in Interdisciplinary Research 2019 | 2019 | ||
Green: How a General Motors locomotive came to represent a Hong Kong town Proceeding/Conference:New Tracks in the History of Railways (NTIHOR) Conference | 2020 | ||
The Ice Plant Cometh: The Insular Cold Storage and Ice Plant, Livestock Health, and the Imperial Biodeterioration of American Manila, 1900-1941 Proceeding/Conference:Science, Technology, and Medicine Series, Centre for Humanities and Medicine, HKU | 2020 | ||
Livestock Production and Negotiating the Terrain of the Law in Nineteenth-Century Philippines Proceeding/Conference:17th Philippine-Spanish Friendship Day Conference, 2019 | 2019 | ||
Liberating Parasites: Biological Control in British Malaya Proceeding/Conference:Department of History Research Workshop Series, HKU, 2020 | 2020 | ||
Giving credit where credit is due: Or why searching for a needle in a haystack is worth it Proceeding/Conference:International Conference of the European Society for the History of Science, ESHS 2020 | 2020 |
Collection's Items (Sorted by Submit Date in Descending order): 121 to 140 of 1039