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	Title	Author(s)	Issue Date
	Music is, by its very nature, essentially powerless to express anything at all Book:Stravinsky in Context	Chua, DKL	2020
	Acting Without Me: Corporate Agency and the First Person Perspective Book:Routledge Handbook of Linguistic Reference	Cappelen, HWDever, J	2021
	Revolutionary Freedom: An Image of Musical Autonomy in Beethoven Book:Theology, Music, and Modernity: Struggles for Freedom	Chua, DKL	2021
	On the Uselessness of the Distinction between Ideal and Non-Ideal Theory (at least in the Philosophy of Language) Book:The Routledge Handbook of Social and Political Philosophy of Language	Cappelen, HWDever, J	2021
	Gao Luopei hui Shimeng zhai fuqin tu kao [On the portrait of Ye Shimeng playing the qin drawn by Robert H. van Gulik] Book:Rao Zongyi baisui huadan yantaohui lunwenji	Yang, Y	2021
	Musical Archaeology and the Prehistory of Chinese Music Book:The Oxford Handbook of Music in China and the Chinese Diaspora	Yang, Y	2021
	Beyond Queer Liberalism: On Queer Globalities and Regionalism From Postcolonial Hong Kong Book:Sexualities, Transnationalism, and Globalization: New Perspectives	Wong, KHA	2021
	Social and Political Aspects of Generic Language and Speech Book:The Routledge Handbook of Social and Political Philosophy of Language	McKeever, MSterken, RK	2021
	Introduction Book:The Routledge Handbook of Social and Political Philosophy of Language	Khoo, JSterken, RK	2021
	Who Wants to Know? Book:Oxford Studies in Epistemology	Nado, JE	2019
	The Peony in Painting and Verse in China from the Eighth to the Thirteenth Centuries Book:Passion for Peonies: Celebrating the Culture and Conservation of Nichols Arboretum's Beloved Flower	Hammers, RL	2020
	The Cold War in the Margins of Capital: The Soviet Union’s Introduction to the Decolonized World, 1955–1961 Book:Alternative Globalizations: Eastern Europe and the Postcolonial World	Sanchez-Sibony, O	2020
	Preface: In Time with the Late Style Book:In Time with the Late Style	Chua, DKL	2019
	Linguistic Intervention and Transformative Communicative Disruptions Book:Conceptual Engineering and Conceptual Ethics	Sterken, RK	2020
	Contextualizing Music and the Body: An Introduction Book:The Oxford Handbook of Music and the Body	Kim, YGilman, S	2019
	Women Filmmakers: Ann Hui Book:The International Encyclopedia of Gender, Media, and Communication	Marchetti, G	2020
	Conceptual Engineering: The Master Argument Book:Conceptual Engineering and Conceptual Ethics	Burgess, ACappelen, HWPlunkett, D	2020
	The Bible Translation Work of the Basel Mission for the Chinese Union Version, as Revealed in Mission Records Book:The Commemorative Volume of the Centenary of the Chinese Union Version	LEUNG, CW	2019
	Fabulating Animals–human Affinity: Towards an Ethics of Care in Monster Hunt and Mermaid Book:Ecology and Chinese-Language Cinema: Reimagining a Field	Law, FYW	2020
	“Like the Apocalypse Is Imminent by Guys Who Could Barely Play Guitar”: Performing Amateurism in the Garage Rock Underground of Tokyo Book:Fractured Scenes: Underground Music-Making in Hong Kong and East Asia	Neglia, JV	2021